Showing posts with label Thelma White. Show all posts
Showing posts with label Thelma White. Show all posts
Sunday, January 13, 2019
Autographed Thelma White Photo
Thelma White publicity photo, which she autographed for a fan.
"Just say no" is a reference to an anti-drug campaign, and is presumably intended to be humorous. People tend to associate Thelma White with dope because she was in the movie REEFER MADNESS, which some people thought it was cool to laugh at. There are still problems with drug abuse, whether they think it's funny or not.
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Saturday, January 12, 2019
Thelma White?
Frequently we see the wrong name on pictures of the glamour girls. It happened again.
This picture was posted on facebook by "Captain Bijou".
Edna Mae Jones (1913-??) and Thelma White (1910-2005) from the Wheeler and Woolsey screen comedy, HIPS, HIPS, HOORAY!! (1934).
Ron Hutchinson:
Definitely NOT Thelma White in that photo. Here she is. BTW she never appeared in the film although she was announced.
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Thursday, January 1, 2015
Wednesday, December 31, 2014
Tuesday, December 23, 2014
Thelma White In The Fan Magazines
Some Thelma White items for Christmas. You might say a White Christmas.
MOTION PICTURE HERALD, May 23, 1931
HOLLYWOOD Jan. 1934
I guess that one ( on the right ) is really for New Year, but that's close enough.
MOTION PICTURE HERALD, Sept. 15, 1934
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Monday, December 22, 2014
SEASON'S GREETINGS
SEASON'S GREETINGS was a Christmas themed short subject produced by Vitaphone that featured their "female Laurel and Hardy" team, Thelma White and Fanny Watson.
Reblogged from "The Vitaphone Project" on facebook.
Ron Hutchinson:
In November 1931, the Brooklyn Vitaphone studios produced a one reel holiday short, #1307, SEASONS GREETINGS. It starred the top personalities working in Vitaphone shorts at the time: Joe Penner, Thelma White & Fanny Watson, Ted Husing , Mr. & Mrs. Jack Norworth ("The Naggers"), Robert "Believe It Or Not" Ripley, and Janet Reade. I did not know of this short's existence until I saw a brief entry in Roy Liebman's VITAPHONE FILMS book. Some digging turned up a complete print with sound at The Library of Congress. We'll try to get this included in the next batch of preservation/restoration work so it can again be seen. Looks like fun. Here are some frames from the short.
Opening with family and Billy "Penrod" Hayes.
Jack / The Box Joe Penner
Joe Penner. Yuk yuk yuk!
Singer Janet Reade
Mr. & Mrs. Jack Norworth, "The Naggers"
Fanny Watson & Thelma White, Vitaphone's female answer to Laurel & Hardy.
Sports announcer Ted Husing.
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Tuesday, December 31, 2013
Happy New Year
From:
Alice White
Thelma White and Dorothy Lee
Thelma Todd
Lona Andre And Mary Kornman
Shirley Temple
Olivia Dehaviland
Rita Hayworth
Virginia Vale
Dona Drake
Ann Miller
Betty Hutton
Julie Adams
And Marie Wilson
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Wednesday, October 23, 2013
Thelma White In FILM DAILY
We had a little on the blog about Thelma White recently, she and Fanny Watson were teamed as a sort of "female Laurel and Hardy" in Vitaphone short subjects. Here are some news items about Thelma White from FILM DAILY
FILM DAILY 11 23 30
FILM DAILY 10 18 31
FILM DAILY 11 15 31
FILM DAILY 11 15 31
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Monday, October 14, 2013
Thelma White Pictures
Some Thelma White photos.
Thelma White and Dorothy Lee await the New Year.
NEVER TOO LATE ( 1935 )
BOWERY CHAMPS ( 1944 )
One of the "Bowery Boys" series - Gabriel Dell is in the middle of the picture.
HOLLYWOOD BOOGIE,
one of the short subjects with Thelma White and her all - girl orchestra.
Finally, here is a picture of the Thelma White who danced in burlesque,
who has been confused with the Thelma White of the movies.
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Thelma White
Thelma White wrote this letter in reply to a fan in 1980
TELL YOUR CHILDREN was the original name of the film which was rereleased as REEFER MADNESS in the 1970's. It seems that Thelma White wasn't all that keen about that business.
The "camp" fad also sought to depict other movies from that period as something to be derided, a pastime that didn't always go over very well with everyone else.
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Thelma White
Thelma White started out as one of the "White Sisters". And in the thirties, she was a member of another "Female Laurel and Hardy" team.
But in the end, she would be remembered for something else again.
Thelma White (December 4, 1910 – January 11, 2005) was an American radio and film actress. White is best known for her role in the 1936 exploitation film Reefer Madness.
jobs with the Ziegfeld Follies and Earl Carroll revue before she moved to Hollywood in the late 1920s. Her first film was A Night in a Dormitory (1930) co-starring Ginger Rogers. That job led to a number of short films at Pathé Exchange (later RKO Pictures), where she played leading lady to some of the most familiar comic faces of the day, such as Edgar Kennedy and Leon Errol.
White's most famous role arrived in Tell Your Children (1936) better known today as Reefer Madness, a low-budget exploitation film to warn audiences of the dangers of marijuana. White appeared as Mae, the tough mistress of dope-dealer Jack (Carleton Young). Jack encourages high school students to take a toke of marijuana, after which they become involved in rape, prostitution, suicide, and various other traumas. The film was a flop and vanished into the vaults for over 30 years.
White continued to struggle through B-movies and small roles for the next few years, and in Hollywood circles was more known for her private life than any on-camera abilities. She was married three times, first to radio star Claude Stroud (one of the Stroud twins) for five years, then a briefmarriage to Max Hoffman, Jr. Her final marriage, to actor and costume designer Tony Millard, lasted for several decades.
Tell Your Children was found in a vault in 1972 and rechristened Reefer Madness by pro-marijuana activists and a young movie distributor who saw the movie as having great comedic appeal. The film gained a following on college campuses for its campy nature as well as its crazed depiction of marijuana use. White, who had starred with W. C. Fields and Jack Benny in her best years, was somewhat chagrined to be known for such a film. In 1987, she told the Los Angeles Times, "I'm ashamed to say that it's the only one of my films that's become a classic."[1]
government program which featured entertainment for troops serving overseas, and performed as the leader of an all female swing band called Thelma White and Her All Girl Orchestra. She and her band went to Alaska on several occasions with Rose Hobart and Carmen Miranda. She continued to make appearances in B-movies such as The Bowery Boys film series, but near the end of the war contracted a crippling disease while appearing in the Aleutian Islands. White was bedridden for five years and told she would never walk again. Although she did partially recover and appeared in a few late 40's films, her acting career was essentially over.
White later worked as an agent, representing such actors as Robert Blake and James Coburn.
* * *
Thelma White and Marjorie White used to work together as "The White Sisters", but were not actually related: neither were they related to Alice White, as was sometimes thought.
In the movies, Thelma White was teamed with Fanny Watson as a "female Laurel and Hardy", in a series of films at the Vitaphone studio in the early thirties. Most of these were directed by Alf Goulding, who was a friend of Stan Laurel's.
There was some overlap in the Thelma Todd and Zasu Pitts series and the Thelma White and Fanny Watson series, but the Thelma Todd series appears to have been first and lasted longer, eventually replacing first Zasu Pitts with Patsy Kelly and then Thelma Todd with Pert Kelton and Lyda Roberti.
But the Vitaphone short subjects in general seem to have been popular in their day.
While REEFER MADNESS probably is what Thelma White is most remembered for, I don't know if it's ever been run on television here, while her musical films with the all-girl orchestra have. And maybe it's time to give some of Thelma White's other work a little recognition.
Thelma White spent the last ten years of her life writing her autobiography, THELMA WHO? In it, she told of how she had become paralyzed during the war while entertaining the troops in Alaska, and how she eventually recovered and returned to show business as a manager.
She also mentioned Patsy Kelly in her autobiography. According to "The Vitaphone Project" site, after Thelma White's recovery she was Patsy Kelly's manager.
Film clip from 1929 MGM musical.
HOLLYWOOD BOOGIE
TAKE IT AND GIT
Thelma White:
http://www.picking.com/vitaphone73.html
http://www.filmbuffonline.com/InRemembrance/ThelmaWhite.htm
http://www.fanpix.net/gallery/thelma-white-pictures.htm
Thelma White Obituary:
http://articles.latimes.com/2005/jan/13/local/me-white13
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But in the end, she would be remembered for something else again.
Thelma White
From Wikipedia, the free encyclopedia
| Thelma White | |
|---|---|
White, as seen in Reefer Madness | |
| Born | Thelma Wolpa (1910-12-04)December 4, 1910 Lincoln, Nebraska, U.S. |
| Died | January 11, 2005(2005-01-11) (aged 94) Woodland Hills, Los Angeles, California, U.S. |
| Occupation | Actress |
| Years active | 1930–1948 |
Early life and career
Born Thelma Wolpa in Lincoln, Nebraska, White debuted in her family's circus show at age 2, acting as a "living doll" who would stand in place until she got a cue to begin cooing and wriggling. At the age of 10 she was dancing in vaudeville as part of The White Sisters, leading toWhite's most famous role arrived in Tell Your Children (1936) better known today as Reefer Madness, a low-budget exploitation film to warn audiences of the dangers of marijuana. White appeared as Mae, the tough mistress of dope-dealer Jack (Carleton Young). Jack encourages high school students to take a toke of marijuana, after which they become involved in rape, prostitution, suicide, and various other traumas. The film was a flop and vanished into the vaults for over 30 years.
White continued to struggle through B-movies and small roles for the next few years, and in Hollywood circles was more known for her private life than any on-camera abilities. She was married three times, first to radio star Claude Stroud (one of the Stroud twins) for five years, then a brief
Tell Your Children was found in a vault in 1972 and rechristened Reefer Madness by pro-marijuana activists and a young movie distributor who saw the movie as having great comedic appeal. The film gained a following on college campuses for its campy nature as well as its crazed depiction of marijuana use. White, who had starred with W. C. Fields and Jack Benny in her best years, was somewhat chagrined to be known for such a film. In 1987, she told the Los Angeles Times, "I'm ashamed to say that it's the only one of my films that's become a classic."[1]
Entertaining troops
During World War II, White joined United Servicemen Overseas, aWhite later worked as an agent, representing such actors as Robert Blake and James Coburn.
Death
White's third husband, Tony Millard, died in 1999. She had no children, and spent most of her time with her Mexican Hairless Dogs. White died of pneumonia in the Motion Picture and Television Hospital on January 11, 2005 at age 94.[2]Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1930 | A Night in a Dormitory | Thelma | |
| 1930 | Ride 'em Cowboy | Alternative title: Pathé Folly Comedies: Ride 'em Cowboy | |
| 1930 | Sixteen Sweeties | Alternative title: Pathé Melody Comedies: Sixteen Sweeties | |
| 1931 | One Way Out | Desperate for Permanent Wave | |
| 1931 | Hot Sands | Wife | |
| 1933 | Hey, Nanny Nanny | Mrs. Bond | |
| 1934 | What Price Jazz | ||
| 1934 | Susie's Affairs | Susie's Blonde Roommate | |
| 1935 | Never Too Late | Helen Lloyd | Alternative title: It's Never Too Late to Mend |
| 1936 | Reefer Madness | Mae | Alternative title: Tell Your Children |
| 1936 | Two in the Dark | Woman | Uncredited |
| 1936 | The Moon's Our Home | Salesgirl | |
| 1936 | Forgotten Faces | Nurse in park | |
| 1938 | Wanted by the Police | Lillian | |
| 1942 | Syncopation | Singer on Piano at Party | Uncredited |
| 1942 | A Man's World | Dancehall girl | Uncredited |
| 1942 | Pretty Dolly | Baby, Cigar Counter Clerk | |
| 1943 | Spy Train | Millie | |
| 1944 | Bowery Champs | Diane Gibson | |
| 1947 | Hectic Honeymoon | ||
| 1948 | Mary Lou | Eve Summers |
References
- ^ Woo, Elaine (2005-01-15). "Thelma White, at 94; starred in campy 'Reefer Madness'". boston.com. http://www.boston.com/news/globe/obituaries/articles/2005/01/15/thelma_white_at_94_starred_in_campy_reefer_madness/. Retrieved 2009-05-15.
- ^ "Obituaries". BackStage. 2005-01-20. http://www.allbusiness.com/services/amusement-recreation-services/4589511-1.html. Retrieved 2009-05-15.
External links
* * *
Thelma White and Marjorie White used to work together as "The White Sisters", but were not actually related: neither were they related to Alice White, as was sometimes thought.
In the movies, Thelma White was teamed with Fanny Watson as a "female Laurel and Hardy", in a series of films at the Vitaphone studio in the early thirties. Most of these were directed by Alf Goulding, who was a friend of Stan Laurel's.
There was some overlap in the Thelma Todd and Zasu Pitts series and the Thelma White and Fanny Watson series, but the Thelma Todd series appears to have been first and lasted longer, eventually replacing first Zasu Pitts with Patsy Kelly and then Thelma Todd with Pert Kelton and Lyda Roberti.
But the Vitaphone short subjects in general seem to have been popular in their day.
While REEFER MADNESS probably is what Thelma White is most remembered for, I don't know if it's ever been run on television here, while her musical films with the all-girl orchestra have. And maybe it's time to give some of Thelma White's other work a little recognition.
She also mentioned Patsy Kelly in her autobiography. According to "The Vitaphone Project" site, after Thelma White's recovery she was Patsy Kelly's manager.
Film clip from 1929 MGM musical.
HOLLYWOOD BOOGIE
TAKE IT AND GIT
Thelma White:
http://www.picking.com/vitaphone73.html
http://www.filmbuffonline.com/InRemembrance/ThelmaWhite.htm
http://www.fanpix.net/gallery/thelma-white-pictures.htm
Thelma White Obituary:
http://articles.latimes.com/2005/jan/13/local/me-white13
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