Showing posts with label Bugs Bunny. Show all posts
Showing posts with label Bugs Bunny. Show all posts

Saturday, April 14, 2012

Joyita




The Joyita was a yacht that belonged to Roland West and was used in the 1931 movie CORSAIR. This was the movie in which Thelma Todd was billed as "Alison Loyd".


The movie was not a success. But greater misfortunes for the Joyita were yet to come.



MV Joyita
From Wikipedia, the free encyclopedia
MV Joyita was a merchant vessel from which 25 passengers and crew mysteriously disappeared in the South Pacific in 1955. It was found adrift in the South Pacific without its crew onboard. The ship was in very poor condition, including corroded pipes and a radio which, while functional, only had a range of about 2 miles due to faulty wiring. Despite this, the extreme buoyancy of the ship made sinking nearly impossible. Investigators were puzzled as to why the crew didn't remain on board and wait for help.

Vessel description and history

Construction

The 69-foot (21 m) wooden ship was built in 1931 as a luxury yacht by the Wilmington Boat Works in Los Angeles for movie director Roland West. During this period, she made numerous trips south to Mexico and to the 1939-40 Golden Gate International Exposition in San Francisco. During part of this time, Chester Mills was the skipper of the vessel.

U.S. Navy service in World War II

After the attack on Pearl Harbor, she was acquired by the United States Navy and taken to Pearl Harbor, Hawaii, where she was outfitted as Patrol Boat YP-108. (Another YP-108 sank near Pearl Harbor, not the Joyita). The Navy used her to patrol the big island of Hawaii until the end of World War II.

Private purchase

Dr. Katharine Luomala, a professor at the University of Hawaii, bought the ship in 1952 and chartered the boat to her friend, Captain Thomas H. "Dusty" Miller, a British-born sailor living in Samoa. Miller used the ship as a trading and fishing charter boat.

The incident at sea

Overdue and disappeared

About 5:00 AM on October 3, 1955, the Joyita left Samoa's Apia harbor bound for the Tokelau Islands, about 270 miles (430 km) away. The boat had been scheduled to leave on the noon tide the previous day but her departure was delayed because her port engine clutch failed. The Joyita eventually left Samoa on one engine. She was carrying 16 crew members and 9 passengers, including a government official, a doctor (Alfred "Andy" Denis Parsons, a World War II surgeon on his way to perform an amputation), a copra buyer, and two children. Her cargo consisted of medical supplies, timber, empty oil drums and various foodstuffs.
The voyage was expected to take between 41 and 48 hours. She was scheduled to return with a cargo of copra. The Joyita was scheduled to arrive in the Tokelau Islands on October 5.
On October 6 a message from Fakaofo port reported that the ship was overdue. No ship or land-based operator reported receiving a distress signal from the crew. A search and rescue mission was launched and, from 6 to 12 October, the Sunderlands of the Royal New Zealand Air Force covered a probability area of nearly 100,000 square miles (260,000 km²) of ocean during the search. But no sign of the Joyita nor any of her passengers or crew were found.

Sighted off-course without passengers or crew

Five weeks later, on November 10, Gerald Douglas, captain of the merchant ship Tuvalu, enroute from Suva to Funafuti sighted the Joyita more than 600 miles (1,000 km) from her scheduled route. The ship was partially submerged and listing heavily (her port deck rail was awash) and there was no trace of any of the passengers or crew; four tons of cargo were also missing. The recovery party noted that the radio was discovered tuned to 2182 kHz, the international marine radiotelephone distress channel.

Condition of the vessel

  • Barnacle growth high above the usual waterline on the port side showed that the Joyita had been listing heavily for some time.
  • There was some damage to the superstructure. Her flying bridge had been smashed away and the deckhouse had light damage and broken windows. A canvas awning had been rigged on top of the deckhouse behind the bridge.
  • The starboard engine was found to be covered by mattresses, while the port engine's clutch was still partially disassembled, showing that the vessel was still running on only one engine.
  • An auxiliary pump had been rigged in the engine room, mounted on a plank of wood slung between the main engines. However, it had not been connected.
  • The radio on board was tuned to the international distress channel, but when the equipment was inspected, a break was found in the cable between the set and the aerial. The cable had been painted over, obscuring the break. This would severely limit the range of the radio to about 2 miles (5 km).
  • The electric clocks on board (wired into the vessel's generator) had stopped at 10:25 and the switches for the cabin lighting and navigation lights were on, implying that whatever had occurred happened at night. The ships' logbook, sextant, mechanical chronometer and other navigational equipment were missing.
Although the Joyita was found with her bilges and lower decks flooded, her hull was sound. When she was moored back in harbour at Suva, investigators heard the sound of water entering the vessel. It was found that a pipe in the raw-water circuit of the engine's cooling system had failed due to galvanic corrosion, allowing water into the bilges. The first the crew would have known about the leak was when the water rose above the engine room floorboards, by which time it would have been nearly impossible to locate the leak. Also, the bilge pumps were not fitted with strainers, and had become clogged with debris, meaning that it would have been very difficult to pump the water out.

Maritime inquiry

A subsequent inquiry found that the vessel was in a poor state of repair, but determined that the fate of the passengers and crew was "inexplicable on the evidence submitted at the inquiry". An especially inexplicable point was that the three liferafts the Joyita carried were missing, but it would not make sense for the crew and passengers to voluntarily abandon the vessel. Fitted out for carrying refrigerated cargo, the Joyita had 640 cubic feet (18 m3) of cork lining her holds, making her virtually unsinkable. In addition, further buoyancy was provided by a cargo of empty fuel drums.
The inquiry was only able to establish the reasons for the vessel becoming flooded. It found that the vessel would have begun to flood due to the fractured cooling pipe. The bilge pumps were unserviceable due to becoming blocked. The Joyita lacked watertight bulkheads or subdivisions in the bilges. The water would have gradually flooded the lower decks. As the vessel began to sink lower into the water, the one remaining engine would not have been able to maintain enough speed to steer. The Joyita then fell beam-on to a heavy swell and took on the heavy list it was found with. While flooded to an extent which would sink a conventional vessel, the Joyita stayed afloat due to her cork-lined hull and cargo of fuel drums.
The inquiry also placed much of the responsibility for the events on Miller. They found him reckless for setting out on an ocean-going voyage with only one engine and numerous minor faults, and negligent for failing to provide a working radio or properly equipped lifeboat. He was also in breach of maritime law, since he had allowed Joyita's license to carry fare-paying passengers to lapse.
The inquiry made no mention of the used medical equipment found on board.

 Theories

The Joyita is sometimes referred to as the "Mary Celeste of the South Pacific" and has been the subject of several books and documentaries offering explanations that range from rational and conventional to supernatural and paranormal.[citation needed]
Numerous theories for the disappearance of the Joyita's crew and passengers have been advanced. Many were circulated at the time of the event, and several others have been put forward since.[citation needed]
Given the fact that the hull of the Joyita was sound and her design made her unsinkable, a main concern of investigators was determining why the passengers and crew did not stay on board if the events were simply triggered by the flooding in the engine room.[citation needed]

Captain injured theory

Captain Miller was well aware of the vessel's ability to stay afloat, leading some to speculate that Miller had died or become incapacitated for some reason (someone on board was injured- hence the bloodstained bandages). Without him to reassure the other people on board, they had panicked when the Joyita began to flood and had taken to the liferafts. However, this in itself would not account for the missing cargo and equipment, unless the vessel had been found abandoned and had her cargo removed.
A friend of Miller's, Captain S. B. Brown, was convinced that Miller would never have left the Joyita alive, given his knowledge of her construction. He was aware of tension between Miller and his American first mate, Chuck Simpson. Brown felt that Miller and Simpson's dislike of each other came to blows and both men fell overboard or were severely injured in a struggle. This left the vessel without an experienced seaman and would explain why those remaining on board would panic when the ship began to flood.

 The "Japanese did it" and the piracy theories

The Fiji Times and Herald quoted at the time from an "impeccable source" to the effect that the Joyita had passed through a fleet of Japanese fishing boats during its trip and "had observed something the Japanese did not want them to see." Others theorize that modern sea pirates attacked the vessel, killed the 25 passengers and crew (and cast their bodies into the ocean), and stole the missing four tons of cargo.
The Daily Telegraph theorised that some still-active Japanese forces from World War II were to blame for the disappearances, operating from an isolated island base.
There was still strong anti-Japanese feeling in parts of the Pacific, and in Fiji there was specific resentment of Japan being allowed to operate fishing fleets in local waters. Such theories suddenly gained credence when men clearing the Joyita found knives stamped 'Made in Japan'. However, tests on the knives proved negative and it turned out the knives were old and broken- quite possibly left on board from when the Joyita was used for fishing in the late 1940s.

 Insurance fraud theory

It was also revealed that Miller had amassed large debts after a series of unsuccessful fishing trips on Joyita. However, it would have been difficult to see the events surrounding the Joyita as insurance fraud, given that no seacocks were found open and the ship would be almost impossible to scuttle. Also, Miller was relying on Joyita being chartered for regular runs between Samoa and Tokelau- these government charters would have quickly cleared his debts.

 Mutiny theory

One of Joyita's owners after the events of 1955, travel-writer Robin Maugham, spent many years investigating his vessel's past, and published his findings as The Joyita Mystery in 1962. Maugham agreed that events were started by the flooding from the broken cooling pipe and the failure of the pumps. The mattresses found covering the starboard engine were used either in an attempt to stem the leak or to protect the electrical switchboard from spray kicked up by the engine's flywheel as the water level rose. At the same time, the Joyita encountered increasingly heavy swells and squally weather.
Miller, knowing the Joyita to be unsinkable and desperate to reach his destination to clear his debt, pressed on. However, Simpson, and possibly other crew members, demanded that he turned back. This effectively led to mutiny and Miller and the crew struggled, during which Miller sustained a serious injury. By now the ship was entering heavier weather, with winds around 40 mph (64 km/h), and with one engine and a flooded bilge, was beginning to labour. The flooding in the engine room would have eventually caused the starboard engine to fail, also cutting all the vessel's electrical power. Simpson was now in control and made the decision to abandon ship, taking the navigational equipment, logbook and supplies, as well as the injured Miller, with them. It still seems unlikely that Simpson would choose to abandon a flooded but floating ship to take to small open rafts in the Pacific Ocean.
Maugham proposed that they sighted a nearby island or reef and tried to reach it, but in the strong winds and seas the rafts were carried out to sea, leaving the Joyita drifting and empty. The damage to the lightly built superstructure was caused by wave damage while the vessel was drifting in heavy seas.

 Joyita after 1955

In July 1956, Joyita was auctioned off by her owners for £2425 to a Fiji Islander, David Simpson. He refitted and overhauled her and she went to sea again that year. However, she was surrounded by legal disputes over the transfer of her registry from the USA to Britain without permission. In January 1957 she ran aground while carrying 13 passengers in the Koro Sea. She was repaired and in October 1958 began a regular trade between Levuka and Suva.
She ran aground again in November, 1959 at Vatuvalu.[citation needed]
She floated off, but while heading for port, began to ship water through a split seam. The pumps were started, but it became clear that the valves for the pump had been installed the wrong way, meaning that water was pumped into the hull, not out. Now with a reputation as an 'unlucky ship' and with a damaged hull, she was abandoned by her owners and beached. She was stripped of useful equipment and was practically a hulk when she was bought by Robin Maugham in the early 1960s.

 References

 External links






Chief Body at the wheel of the Joyita, 1942



Charlie ( The Cook ) with Thanksgiving Turkey Aboard The Joyita.



WW II US Navy emblem for Joyita, with Bugs Bunny




Joyita listing to one side in the Pacific Ocean after the Passengers and crew vanished in 1955.




Joyita was practically unsinkable, but doesn't look it in these photos.






1958 - Joyita after being salvaged, Walu Bay, Suva

   

The name "Joyita" is Spanish for "Little Jewel". It was actually named after Jewel Carmen, with whom Roland West was involved. People also associated the Joyita with Thelma Todd and there were stories that when West sold it some of her posessions were still on board. Because the Joyita was supposed to be an unlucky ship, people also thought that Thelma Todd had been a victim of some sort of jinx on the vessel, and because it was used as a patrol boat at Pearl Harbor during World War II, some people linked it to the Japanese attack that flung the US into the war. I would call it coincidence, but ill fortune did befall many people who were associated with the Joyita, some of who aren't mentioned in histories of the vessel. In his autobiography MY WONDERFUL WORLD OF SLAPSTICK, Buster Keaton spoke of going on board the Joyita to talk with Roland West shortly before his career went on the skids.

But everything in life that goes wrong doesn't have to be caused by things like unlucky ships.




The Joyita Mystery, Pt. I:

Joyita Mystery, Pt. II:


Joyita sites:
http://www.creationtrek.com/AVIATION/joyita.htm

http://www.navsource.org/archives/14/31108.htm

Chester Morris
http://www.chester-morris.com/index.php

CORSAIR:
http://www.apocalypselaterfilm.com/2010/09/corsair-1931.html


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Saturday, March 31, 2012

Wheeler and Woolsey In Superman Comics


Wheeler and Woolsey were famous as movie comedians. They also appeared in SUPERMAN comic books as a couple of bumbling magicians named "Hocus" and "Pocus".


The characters as drawn in the comics are similar to Wheeler and Woolsey and even appear to be wearing similar costumes. Their rabbit can be seen as similar to Bugs Bunny, who was in animated cartoons and had already done a Superman parody in 1943.





Description from the "Supermanica" site:

Hocus and Pocus
The professional names employed by a pair of likeable, ingenuous, gullible fellows, their real names are Doc and Flannelhead, who start out as street corner salesmen of magic books, only to have their lives transformed when a series of bizarre coincidences convinces them that they have somehow become gifted with magical powers (Act No. 83, Apr 1945: "Hocus and Pocus... Magicians by Accident!").
Doc, better known as Hocus, is the brains of the outfit; he is a wiry little fellow with a moustache, eyeglasses, and an ever-present derby hat "who speaks like a college professor but has the trusting simplicity of a child!" His companion, Flannelhead, better known as Pocus, a brawny, dim-witted fellow who murders the King's English whenever he speaks, "has the strength of an ox...and about the same I.Q.!" Together with their "mascot," a white rabbit named Moiton (Act No. 88, Sep 1945: "The Adventure of the Stingy Men!"), the pair inhabit a furnished room in Mrs. Flaherty's Boarding House, somewhere in Metropolis (Act No. 83, Apr 1945: "Hocus & Pocus... Magicians by Accident!"). Superman No. 45/1 refers to them as "that hilarious pair of cuckoo conjurers" (Mar/Apr 1947: "Lois Lane, Superwoman!"), and, because their magical feats work only through either coincidence or the surreptitious intervention of Superman, they are frequently described as "magicians by accident" (Act No. 97, Jun 1946: "The Magician'™s Convention!"; and others).




Action Comics #83 - first appearence of Hocus and Pocus.



Action Comics #97 - Superman makes it appear as if they can work magic.




"Lois Lane, Superwoman" was reprinted in the book SUPERMAN: FROM THE THIRTIES TO THE SEVENTIES. Here are a couple of pages that I scanned.






Wheeler and Woolsey frequently worked with Dorothy Lee.

 

They also worked with Thelma Todd,

 

Barbara Pepper,



And Lupe Velez.

Watch Wheeler and Woolsey with Dorothy Lee and Thelma Todd in a scene from HIPS, HIPS, HURRAY!








Hocus and Pocus at "Supermanica":
http://supermanica.kinlok.nu/wiki/index.php/Hocus_and_Pocus

Wheeler and Woolsey Blogs

The Official Dorothy Lee, Wheeler and Woolsey Blog:
* http://www.oocities.org/hollywood/derby/4720/

Wheeler and Woolsey:
* http://users.wowway.com/~stoogeman/default.htm

Wheeler and Woolsey:
* http://wheelerandwoolsey.tumblr.com/

Ruth Etting:
http://ruthetting.com/

Sunday, February 26, 2012

IT'S TRAGIC TO BE BEAUTIFUL, by Gladys Hall

Here is another movie magazine article, IT'S TRAGIC TO BE BEAUTIFUL, by Gladys Hall. It was originally published in MOVIE MIRROR in March 1932.



Cover girl Constance Bennet


IT'S TRAGIC TO BE BEAUTIFUL by Gladys HaIl
MOVIE MIRROR, March 1932

Is it tragic to be beautiful? Sounds like foolish question one million and one, doesn't it? Since each and every one of us ( excepting maybe Garbo! ) spends hours out of life cold-creaming and permanent-waving and starving to death and what have you.

I determined to ask that question. I made up my mind to find out. What it really feels like to be flawlessly beautiful; whether beauty makes the stuff of life easier to handle, or harder. Just what it means to be a human being cast in the mould of a goddess.

I asked Thelma Todd. Thelma and Billie Dove are accounted the most beautiful girls in all of Hollywood. Thelma's beauty is authentic. It does not come out of her make-up box. She is luscious. She is natural. She is golden and white and sky-blue-eyed. Venus goes into a huddle when she thinks of the Todd figure.

Men have laid their hearts galore at Thelma's feet. Reluctant men. Strange, proud, woman-shy men such as Ivan Lebedeff and it is reported by eye-witneses, Ronald Colman. Some go so far as to say that Ronald went abouad a divorcing- with Thelma in view.

And so I said to Thelma, "What does it feel like to be so beautiful? Come on, now, don't laugh and don't be falsely modest. You are too intelligent not to know that you are beautiful and I hope you are too honest not to admit it. Mirrors never lie. You needn't either. It's not any credit to you. You might have been born with Cyrano de Bergerac's nose and bow legs. You weren't. You are sensationally beautiful. You must know it. I want to know how it feels, what it means... come on..."

Thelma said, "I feel absurd. I never think about it. The truth is I sell beauty for what it is worth, as one sells any commodity from butter and eggs to an operatic voice. I suppose I was a pretty child and grew up without much consciousness of looks. I can remember my small brother, three years older than I, saying to my mother, 'Ma, dress Thelma up pretty so I can take her out and show her off to the boys'... I had long golden curls and things...

"But it is tragic to be beautiful - I do wish you would let me use the word 'attractive' instead of beautiful - I wouldn't feel quite such a fool. Anyway, what's in a word? It's hard to be beautiful, then. It makes life difficult. It must e like having much too much money. You see, I can't trust anyone. Especially, I can't trust men. Oh, I don't mean in the emotional sense. There's that, too, of course. Horrid business. But I mean it differently.

"I can best illustrate by giving you a concrete example: Not long ago an enormously wealthy man asked me to marry him. He would have surrounded me with Rolls-Royces and sables and trips to the Riviera and homes like Buckingham Palace and personal maids. Oh, you know... And he would have brought his friends home, instructed me to dress up like a plush horse, waved his hand possesively and said, 'Meet the wife!' AND if I had come down with smallpox or broken my nose he would have put me into the discard along with his other museum pieces, first editions and antiques. I would have been just that to him - another museum piece for his collection. Something to exhibit. Something he had bought and paid for because he believed me to be a good specimen and worthy of a swell show case. He didn't love me. I would not have had a home.

"That's the way it is. I never believe a man really loves me - me - for whatever qualities I may posess in the old beano or for that quaint, old-fashioned thing, a soul, if any.

"When I am invited to parties and large functions I think, 'Why are they asking me? Because they really want me - or because I make a good showing?'

"I even dislike going to opening nights and the Mayfair and other public places because again I think, 'Why is he inviting me? Is it because I look spectacular and it's good publicity?'

"I always say to men who profess to love me, 'But why do you love me? I have annoying habits. I sometimes don't like to talk for hours at a time. I hate to be touched. I'd kill a man who started to 'neck' with me. I'm cold and not very exciting. What is it about me? Usually they are clever enough to dig up some improbable reason. Occasionally they commit the fatal blunder of exclaiming, 'Because you are so beautiful!' - and then I give the blunderers the horse-laugh - and try again.

"Women never trust women who are beautiful. Friendship with other women is all but impossible. They fear you. They believe that you will slink and swank into any room, accost the husband or the boyfriend and break up homes with a lily-white hand.

"Beauty makes a woman cold. There are so many unpleasent things - by which I mean unpleasent men - to avoid, that avoiding and distaste become habits.

"Advantadges? Sure. I'm getting them. You can sell your stock-in-trade to the chorus, the stage, the movies, or to a private museum. Eventually you fade and grow old... and then and not until then do you know what it is all about - "

The funny part of this is that Thelma Todd has lived with her beauty as her least consideration. She never planned to use it. She never intended to capitalize on it. She speaks the simple truth when she says that she never thought about it.

She was born in Lawrence, Mass. Her folks were moderately well off. She had one brother who, when he was seven and she was three, was killed before her eyes in a dairy machine. Her father used to remark, "Why did it have to be him?" Thelma knew what he meant. That the loss of the son, the male, was the severest blow of all.

Thelma adored her father. She tried to make it up to him. She acted like a boy. She played with boys. She talked like a boy. She thinks, today, like a man. She planned to be a lawyer or an engineer. Eventually she went to Teacher's College and became a public school teacher. She taught the sixth grade. All the little boys had crushes on her. She was offered more red apples than Eve ever saw. She intended to make teaching her career, to marry some local swain, to have four children and to grow comfortably fat and old.

But there was a movie exhibitor in Lawrence. He knew the beautiful school teacher. Jesse Lasky was looking for new faces. The exhibitor knew that there never was a face like Thelma's. He induced her to have a test made.

Thelma was inclined to be insulted. She said, "What, the movies - me! I should say not!" She finally consented to test because she was curious. It would be an interesting experiment. She could tell the Sixth Grade scientiffic facts about lenses and projection machines.

But Thelma never saw her Sixth Grade again. Mr. Lasky snaped the test up and Thelma followed it. The rest is screen history. The Hal Roach contract. The Charley Chase and Zasu Pitts teamings. Such pictures as THE HOT HEIRESS, BROADMINDED, and CORSAIR.

Thelma lives in Hollywood, in a small apartment, with her mother. Her father died about four years ago. They do their own work because Mrs. Todd abhors servants and wants to feel necessary.

Thelma has been in love just once in her life. Not with Ivan, or Roland, or Abe Lyman. She says, "It just didn't work out - but I know, now, what real love means - "

She was eighteen before she was kissed. She had the reputation, at lest at home, of being a girl a feller couldn't get near with a ten foot pole.

She has a few pet hates - the chief amoung them are chain letters. She would like to cut the senders of them up into 90,000 pieces and mail the pieces instead of the letters. She also loathes card tricks and first nights.

She loves violets and all garden flowers. She collects blown glass. She adores THE STORY OF SAN MICHELE. It is her favorite book. And Peter Arno. She has a placid temperment, not easily aroused, but when it is - SCRAM!

She doesn't like atheltics. They make her "lumpy".

It is tragic to be beautiful? You've heard from Thelma Todd. What do you think?


                                                    *                             *                           *
 


What do I think?


Again there is a comparison to Venus.



And a mention of Billie Dove, who was also in the movies at the time. Her and Thelma Todd appeared together in the movies CAREERS and HER PRIVATE LIFE, both made in 1929.


And there is a reference to a famous book.

The Story of San Michele

From Wikipedia, the free encyclopedia
Jump to: navigation, search
The Story of San Michele is a book of memoirs by Swedish physician Axel Munthe (October 31, 1857–February 11, 1949) first published in 1929 by British publisher John Murray. Written in English, it was a best-seller in numerous languages and has been republished constantly in the over seven decades since its original release.

Contents

[hide]

[edit] Munthe

Munthe grew up in Sweden. At the age of seventeen, he was on a sailing trip which included a brief visit to the Italian island of Capri. Hiking up the Phoenician steps to the village of Anacapri, Munthe came across a ruined chapel owned by a nearby resident, Maestro Vincenzo, and fantasized of owning and restoring the property. The chapel, dedicated to San Michele, had been built on some of the ruins of Roman Emperor Tiberius' villa.
Munthe went to medical school in France and then opened a medical practice in Paris. He later assisted in the 1884 cholera epidemic in Naples. In 1887, he managed to buy the ruined chapel, and subsequently spent much of his life on Capri building Villa San Michele. Munthe also had a medical practice in Rome in order to help pay for construction.

[edit] The book

The Story of San Michele has 32 chapters, approximately 368 pages. It is a series of overlapping vignettes, roughly but not entirely in chronological order. It contains reminiscences of many periods of his life. He associated with a number of celebrities of his times, including Jean-Martin Charcot, Louis Pasteur, Henry James, and Guy de Maupassant, all of whom figure in the book. He also associated with the very poorest of people, including Italian immigrants in Paris and plague victims in Naples, as well as rural people such as the residents of Capri, and the Nordic Lapplanders. He was an unabashed animal lover, and animals figure prominently in several stories, perhaps most notably his alcoholic pet baboon, Billy.
The stories cover a wide range in terms of both how serious they are and how literal. Several discussions with animals and various supernatural beings take place, and the final chapter actually takes place after Munthe has died and includes his discussions with Saint Peter at the gates of Heaven. At no point does Munthe seem to take himself particularly seriously, but some of the things he discusses are very serious, such as his descriptions of rabies research in Paris, including euthanasia of human patients, and a suicide attempt by a man convinced he had been exposed to the disease.
Several of the most prominent figures in Munthe's life are not mentioned in Story of San Michele. His wife and children do not figure in the narrative; very little of his time in England is mentioned, even though he married a British woman, his children were largely raised in England, and he himself became a British citizen during the First World War. His decades-long service as personal physician and confidante to the Queen of Sweden is mentioned only in the most oblique terms; at one point, while naming her only as "she who must be mother to a whole nation", he mentions that she regularly brings flowers for the grave of one of her dogs buried at Villa San Michele, at another point, one of his servants is out walking his dogs, and encounters the Queen, who mentions having given the dog to Munthe.
Munthe published a few other reminiscences and essays during the course of his life, and some of them were incorporated into The Story of San Michele, which vastly overshadows all his other writing both in length and popularity. Notably, his accounts of working with a French ambulance corps during the First World War are not included.
World wide, the book was immensely successful; by 1930, there had been twelve editions of the English version alone, and Munthe added a second preface. A third preface was written in 1936 for an illustrated edition.

[edit] Criticism

As with any work, not everyone liked it; publisher Kurt Wolff wrote
I was the first German publisher to be offered The Story of San Michele. I read it in the German translation and found it so unbelievably trite, vain, and embarrassing that I did not hesitate for a moment in rejecting it.
Wolff noted that the fact that the German edition later sold over a million copies did not affect his opinion.

[edit] See also

[edit] References

[edit] External links

I haven't read this book. It sounds strange. The talking animals are like something out of an animated cartoon.



Eventually the author finds himself in the hereafter.




Well, maybe not THAT hereafter. That guy must have taken a wrong turn at Albuquerque.

There is also a reference to Peter Arno, who was a popular cartoonist at the time. It could be because I have some of his cartoons in books, but I have the idea that his work is better known today than that of Axel Monthe.




Peter Arno cartoon


Wikipedia Biography for Peter Arnold:

Born Curtis Arnoux Peters, Jr. in New York, New York, and educated at the Hotchkiss School and Yale University, his cartoons were published in The New Yorker from 1925–1968. They often depicted a cross-section of New York society from the 1920s through the 1960s. He married The New Yorker magazine columnist and fashion editor Lois Long and together they had one daughter, Patricia Arno, born September 18, 1928. Their marriage ended in 1930. He is interred at Kensico Cemetery in Valhalla, New York.



And there is a reference to Thelma's unfortunate brother, who died in an accident when she was only three and he was only seven. There's also a reference to "Roland", who is presumably Roland West, and to Abe Lyman, Ronald Coleman, and Ivan Lebedeff, all of whom were at one time involved with Thelma Todd.



As for the question it it's tragic to be beautiful, I wouldn't consider being beautiful to be a tragedy at all, but beauty and tragedy can go hand in hand and sometimes do.