- See also The Ghost Breaker
The Ghost Breakers (
1940) is a
comedy film directed by
George Marshall and starring
Bob Hope and
Paulette Goddard. The movie was adapted by
Walter DeLeon from the play
The Ghost Breaker by
Paul Dickey and
Charles W. Goddard, no relation to Paulette.
[1][2]
Along with
Abbott and Costello Meet Frankenstein and Hope's own
The Cat and the Canary, it is cited as a prime example of the classic
Hollywood horror-comedy.
[2][3]
Plot
The film opens in a
Manhattan radio studio during a broadcast by crime reporter Lawrence Lawrence (
Bob Hope)—"Larry" to his friends, as well as his enemies, who are many in number among the local
underworld.
Listening in on the broadcast is pretty brunette Mary Carter (
Paulette Goddard), whose high-rise hotel room goes dark as a violent thunderstorm causes a city-wide
blackout. In the near darkness, a knock comes at her door. It is Mr. Parada (
Paul Lukas), a suave, vaguely sinister Cuban solicitor. He delivers the deed to her inherited plantation and mansion, "Castillo Maldito," on a small island off the coast of Cuba. Despite Parada's discouragement, she impulsively decides to travel to Cuba by ship to inspect her new property.
During Parada's visit, Mary receives a telephone call from Mr. Mederes (
Anthony Quinn), an even more sinister gent who warns Mary not to sell the newly inherited property to Parada. Mary agrees to meet Mederes later.
Meanwhile, after Larry Lawrence has finished broadcasting the evening's
exposé of a local
crime boss, he receives a telephone call from the crime boss, Frenchy Duval (
Paul Fix). Frenchy invites Larry to his hotel to discuss the broadcast so he can "give it" to him straight.
Coincidentally, Frenchy is living in the same hotel where Mary Carter lives. Mederes arrives on the same hotel floor as Larry. However, Mederes is looking for Parada. Mederes confronts Parada and Parada shoots and kills him. Larry hears the shot and fires his gun at random. In a mix-up in the still-darkened building, Larry sees the body and believes he's killed one of Duval's henchmen. In the confusion he finds himself in the rooms of Mary Carter, who is already busy packing for her journey. Believing that he is being pursued by Duval's men, Larry hides in Mary's large open trunk. Unaware of Larry's presence, Mary locks the trunk and arranges for its transport to the harbor.
Later at the dock, Larry's
valet Alex (
Willie Best) searches among the luggage bound for loading and finds Larry among them. Although not in time to prevent the trunk's transfer to the ship's hold, Alex manages to get on board, hoping to extricate his employer before the ship sails.
Once in her stateroom, Mary is surprised to unpack Larry along with the rest of her belongings. Larry and Alex decide to remain on board, partly to act as
bodyguards to the plucky beauty, but also to keep out of reach of Frenchy Duval and the police.
As Larry and Mary strike up a flirtation, they run into an acquaintance of Mary's, Geoff Montgomery (
Richard Carlson), a young professorial type who regales them with tales of the local superstitions of their destination, particularly
voodoo, ghosts and zombies.
Upon reaching port in
Havana, Mary, Larry, Alex go to the island. En route they find a shack occupied by an old woman (Virginia Brissac) and her
catatonic son (
Noble Johnson), whom they believe is a zombie. The imposing plantation manor proves to be a spooky edifice indeed. They begin to explore the long-abandoned, cobweb-ridden mansion, and discover a large portrait of a woman who is nearly an exact likeness of Mary—most certainly an ancestor.
Soon they are terrorized by the appearance of a ghost, and the reappearance of the zombie. Are these real, or are they a ruse to frighten Mary away from her inheritance?
Various versions
The Dickey and Goddard play
The Ghost Breaker was filmed twice previously by Paramount, first
in 1914 by
Cecil B. DeMille, with stars
H. B. Warner and
Rita Stanwood. It was
filmed again in 1922 by director
Alfred E. Green, starring
Wallace Reid and
Lila Lee.
[2] Both these
silent film versions are now considered to be
lost films.
[4]
George Marshall, director of the 1940 version, remade
The Ghost Breakers as
Scared Stiff (1953), featuring
Martin and Lewis (
Dean Martin and
Jerry Lewis). The remake featured cameos not only from Hope, but also from
Bing Crosby. A year before
Scared Stiff, Martin and Lewis appeared in the Crosby/Hope film
Road to Bali.
The film was adapted for radio on
Screen Directors Playhouse on April 4, 1949 with Bob Hope re-creating his film role and
Shirley Mitchell as Mary. Hope appeared again on the program for an hour-long version on June 14, 1951.
Notes
The Ghost Breakers was a sequel of sorts to
Paramount's 1939 hit
The Cat and the Canary, also starring
Bob Hope and
Paulette Goddard. Paramount teamed the pair again, along with costar
Willie Best, in
Nothing But the Truth (1941).
[2]
Cinematographer Charles Lang would go on to earn an
Academy Award nomination for his work on another spook-filled Paramount release,
The Uninvited (
1944).
The Ghost Breakers, along with
The Cat and the Canary, was an inspiration to
Walt Disney for his
Haunted Mansion attraction at
Disneyland.
[5]
Robert Ryan appears as an ambulance driver in the opening of the film.
Cast
See also
References
- ^ A History of Horror
- ^ a b c d Turner Classic Movies [1]
- ^ Los Angeles Times, 2 June 2010
- ^ SilentEra.com lost films index
- ^ Jim Hill Media
External links