Showing posts with label Marilyn Monroe. Show all posts
Showing posts with label Marilyn Monroe. Show all posts

Friday, August 21, 2020

Leonard Maltin

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Leonard Maltin

From Wikipedia, the free encyclopedia
   
Leonard Maltin
Leonard Maltin at the 2010 Independent Spirit Awards.jpg
at the Independent Spirit Awards in Los Angeles, March 5, 2010
BornDecember 18, 1950 (age 63)
New York City, New York, U.S.
ResidenceLos Angeles, California
NationalityAmerican
EducationTeaneck High School
Alma materNew York University
OccupationFilm critic, film historian, animation historian, Food critic
Years active1965–present
Home townTeaneck, New Jersey
Spouse(s)Alice Tlusty (1975-present)
Children1
Website
http://www.leonardmaltin.com
Leonard Maltin (born December 18, 1950) is an American film critic and historian, author of several mainstream books on cinema, focusing on nostalgic, celebratory narratives. He is known for writing the shortest review in the U.S. and creating the Walt Disney Treasures series.

Personal life

Maltin was born in New York City, son of singer Jacqueline (née Gould) [1923-2012], and Aaron Isaac Maltin [1915-2002], a lawyer and immigration judge.[1] He is married to researcher and producer Alice Tlusty. He has one daughter, Jessica Bennett ("Jessie") Maltin, born in 1986, who works with him (his production company, JessieFilm, is named after his daughter). Maltin is Jewish.[2] Maltin grew up in Teaneck, New Jersey, and graduated from Teaneck High School.[3] He was a friend of film critic Roger Ebert.[citation needed]

Career

Maltin began his writing career at age fifteen, writing for Classic Images and editing and publishing his own fanzineFilm Fan Monthly, dedicated to films from the golden age of Hollywood. After earning a journalism degree at New York University, Maltin went on to publish articles in a variety of film journals, newspapers, and magazines, including Variety and TV Guide. In the 1970s Maltin also reviewed recordings in the jazz magazine, Downbeat.

Maltin at Cinecon 26, circa 1990.
As an author, Maltin is best known for Leonard Maltin's Movie Guide (some editions titled as his ...Movie and Video Guide), a compendium of synopses and reviews that first appeared in September 1969 and has been annually updated since October 1987. (It was published under the title TV Movies until the 1990s, and in 2005 spawned a spin-off, Leonard Maltin's Classic Movie Guide, limited to films released in 1960 and earlier to allow the regular book to cover a larger number of more recent titles.) He has also written several other works, including Behind the Camera, a study of cinematography, The Whole Film SourcebookLeonard Maltin's Movie EncyclopediaOur Gang: The Life and Times of the Little Rascals, and Of Mice and Magic: A History of American Animated Cartoons.
Since May 29, 1982, Maltin has been the movie reviewer on the syndicated television series Entertainment Tonight. He also appears on the Starz cable network, and hosted his own syndicated radio program, Leonard Maltin on Video, as well as the syndicated TV show Hot Ticket with Boston film critic Joyce Kulhawik (originally E! personality and game show host Todd Newton). Maltin currently hosts a television show called Secret's Out on ReelzChannel movie network. He also spearheaded the creation of the Walt Disney Treasures collectible DVD line in 2001,[4] and continues to provide creative input and host the various sets.
Maltin appeared on Pyramid twice as a celebrity player, in 1987 on the CBS $25,000 version, and in 1991 on the John Davidson version. He also appeared on Super Password as a celebrity guest in 1988.
In the mid-1990s, Maltin became the president of the Los Angeles Film Critics Association and is on the Advisory Board of the Hollywood Entertainment Museum. For nearly a decade, Maltin was also on the faculty of the New School for Social Research in New York City. He currently teaches in the School of Cinematic Arts at the University of Southern California.
In 1998, Maltin settled a libel suit brought by former child star Billy Gray, of Father Knows Best fame, whom Maltin identified as a drug addict and dealer in his review of the film Dusty and Sweets McGee for his movie guide. The statement appeared in print for nearly 25 years before Maltin publicly apologized for the error.[5]
Maltin currently hosts The Maltin Minute for DirecTV customers. He also wrote the introduction for The Complete Peanuts: 1983-1984.
In 1990, he took a look at the MGM years of The Three Stooges in a film called The Lost Stooges, available on a made-to-order DVD through the Warner Archive Collection.

Popular culture appearances

Maltin was portrayed in an episode of the animated comedy South Park called "Mecha-Streisand" where he, along with actor Sidney Poitier and singer Robert Smith, fight Barbra Streisand, who has assumed the form of Mecha-Streisand, a giant, Godzilla-like robot version of herself. His own gigantic form was reminiscent of Ultraman with his initials on his chest.
He also appeared as himself in Gremlins 2: The New Batch. In a short segment, he gives a bad review of the first film (Gremlins) as several of the creatures creep up on him and strangle him to death (in his guide, Maltin's three-star review of the movie noted that it contained "gratuitous cameo appearances"). This was further spoofed in the Mad magazine parody of Gremlins 2, in which Maltin protests that he is going to be eaten by the Gremlins for giving their first film a bad review when Roger Ebert gave an even more scathing review, whereupon the Gremlins reply that they are waiting until Thanksgiving to attack Ebert, as "he will feed a family of fifteen"! He also made an appearance on the cartoon show Freakazoid! where he voiced himself, only to be abducted by monsters. And while he's been a "talking head" in countless documentaries, he also appeared as himself in a faux documentary, Peter Jackson's "Forgotten Silver."
Maltin starred on an episode of Entertainment Tonight, where he was presenting a time machine akin to one in the film The Time Machine. He sits in the machine and then vanishes, as does the character in the film.
Maltin is one of the few people to appear as a "guest star" on Mystery Science Theater 3000; during a Season Nine episode, he was forced by Pearl Forrester to retract his endorsement of the film Gorgo. In an earlier episode featuring The UndeadMike Nelson impersonates Maltin and apologizes to viewers for his good review, saying he must have been on drugs. Upon this admission, he was awarded the Goatee of the Millennium award. Additionally, his rating of two-and-a-half stars to the film Laserblast is ridiculed in the episode featuring that film.

Maltin at the Santa Barbara International Film Festival in 2005.
In The Simpsons episode "A Star is Burns", Marge says "Did you know there are over 600 critics on TV and Leonard Maltin is the best looking of them all?". Lisa replies "Ewwww!"[6] In the 1995 video release of the original Star Wars trilogy, there was an interview with George Lucas conducted by Maltin included before the start of the movies. Maltin is listed in the Guinness Book of World Records for the world's shortest movie review; his two-star review of the 1948 musical Isn't It Romantic? consists of the word "No".[7] In 1985 he delivered a three-word movie review on Entertainment Tonight for that year's horror film spoof, Transylvania 6-5000. The review begins with a silent Maltin swaying to a recording of the Glenn Miller Orchestra playing "Pennsylvania 6-5000", wherein the instrumental melody is interrupted by the sound of a telephone ringing (part of the original recording), after which the band chants the title of the song. In his review, Maltin timed it so that his review began with the phone ringing: "Transylvania 6-5000 ... stinks!" In 2004 he delivered a five-word review for Scooby Doo 2: Monsters Unleashed. His two-star review consisted of the statement "It is what it is."
Maltin also selected and hosted a compilation of National Film Board of Canada animated shortsLeonard Maltin's Animation Favorites from the National Film Board of Canada.[8]
Comedian Doug Benson's podcast "Doug Loves Movies" features a segment called The Leonard Maltin Game, in which the guest must guess the name of a movie based on a subset of the cast list in reverse order and a few intentionally vague clues from the capsule review of the movie in Leonard Maltin's Movie Guide. Maltin appeared on the podcast in February 2010 and played the game himself. He appeared on the show again in August 2010. In November 2010 Benson and Maltin played the game on Kevin Pollak's Chat Show. Maltin has repeated his appearances on Doug Loves Movies in September 2011 with Jimmy Pardo and Samm Levine, in September 2012 with Chris Evans and Adam Scott, and in November 2013 with Peter Segal, "Werner Herzog," and Clare Kramer.

Bibliography

As author

  • Movie Comedy Teams (NAL, 1970; revised editions, 1974, 1985)
  • Behind the Camera (NAL, 1971), reissued as The Art of the Cinematographer (Dover, 1978)
  • The Great Movie Shorts (Crown, 1972), reissued as Selected Short Subjects (Da Capo, 1983)
  • The Disney Films (Crown, 1973; revised edition, 1985; 3rd edition, 1995 from Hyperion; 4th ed., 2000, Disney Editions)
  • Carole Lombard (Pyramid, 1976)
  • Our Gang: The Life and Times of the Little Rascals (Crown, 1977; coauthor with Richard W. Bann; revised and reissued as The Little Rascals: The Life and Times of Our Gang, 1992)
  • The Great Movie Comedians (Crown, 1978)
  • Of Mice and Magic: A History of American Animated Cartoons (NAL and McGraw Hill, 1980; revised edition, November 1987)
  • The Complete Guide to Home Video (Crown, 1981; coauthor)
  • The Great American Broadcast: A Celebration of Radio's Golden Age (E.P. Dutton, 1997)
  • Leonard Maltin's Movie Crazy (M Press, 2008)
  • Leonard Maltin's 151 Best Movies You've Never Seen (HarperStudio, 2010)

As editor

  • Leonard Maltin's Movie Guide (originally published as TV Movies, then Leonard Maltin’s Movie & Video Guide) (NAL, 1969, 1974, 1978, 1980, 1982, 1984, 1986, 1987, published annually since 1988). Also published in Dutch edition as Speelfilm Encyclopedie, and Swedish version as Bonniers Stora Film & Video Guide.
  • The Real Stars (Curtis, 1973)
  • The Real Stars #2 (Curtis, 1974)
  • The Laurel & Hardy Book (Curtis, 1973)
  • Hollywood: The Movie Factory (Popular Library, 1976)
  • Hollywood Kids (Popular Library, 1978)
  • The Real Stars #3 (Curtis, 1979)
  • The Whole Film Sourcebook (NAL and Universe Books, 1983)
  • Leonard Maltin's Movie Encyclopedia (Dutton/Penguin, 1994)
  • Leonard Maltin's Family Movie Guide (Dutton/Signet, 1999)

As a host

See also

References

  1. Jump up ^ Leonard Maltin Biography (1950-)
  2. Jump up ^ Stereotypes overturned
  3. Jump up ^ Lumenick, Lou. "LEONARD MALTIN'S REEL-LIFE STORY -- MOVIE MAVEN WENT FROM TEANECK TO HOLLYWOOD"The Record (Bergen County), October 17, 1994. Accessed May 21, 2007. "Leonard Maltin was a so-so student. 'I was the only student in the history of Teaneck High School to fail a take-home, open-book exam,' he says with a mixture of pride and embarrassment."
  4. Jump up ^ Ultimate Disney interview with Leonard Maltin
  5. Jump up ^ "MALTIN APOLOGIZES TO LIBELED ACTOR"The Buffalo News, July 20, 1998. Accessed October 10, 2007. "Film critic Leonard Maltin, who wrote that the actor who played Bud on "Father Knows Best" became a drug-addicted heroin pusher, issued an apology to Billy Gray as part of a libel settlement, saying it was a mistake."
  6. Jump up ^ http://www.snpp.com/episodes/2F31
  7. Jump up ^ Maltin, Leonard (2005), p. 700. Leonard Maltin's Movie GuideISBN 0-451-21265-7Signet Books. Accessed April 15, 2007.
  8. Jump up ^ "Leonard Maltin's Animation Favorites from the National Film Board of Canada"NFB.ca. National Film Board of Canada. 1994. Retrieved 2009-07-10.

External links



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I had a little on Leonard Maltin on this blog before at http://benny-drinnon.blogspot.com/2019/06/leonard-maltin.html and I've had this for a while, I just hadn't put it through till now. 

I've drawn a character representing Leonard Maltin myself, though that was in unpublished comics, which could be seen as less popular than programs run on cable stations that not everyone has seen.  I had that character rating things, not necessarily anything important, he would just rate things. A character named "Maltie" also appeared in a story I wrote.which was supposed to be a Thelma Todd adventure, as one of a number of jolly elves who somehow failed to live up to expectations, none of them being particularly jolly.

But this blog is more concerned with the real life adventures of  Leonard Maltin, some of which also involve Thelma Todd.




Leonard Maltin's fanzine, FILM FAN MONTHLY, with Thelma Todd on the cover.




Thelma Todd and Charley Chase






Thelma Todd on top row, second from left: next one to right is Billy Gilbert. 






Thelma Todd may be seen making use of grapefruit slightly above center.




Leonard Maltin's books MOVIE COMEDY TEAMS




and THE GREAT MOVIE SHORTS



cover the films in the Thelma Todd series as well as those of other comedians in this period.



Maltin was later able to show some of the films on a program called "Leonard Maltin Presents" on the Odyssey channel, which began in 1999.




This is the intro for "The Boyfriends - Love Fever".


It seems that the Odyssey channel didn't get a lot of distribution on cable tv, and that as a result this program didn't get a lot of exposure during the years it was run. Which was unfortunate, as it was probably the best thing that Maltin did for television.


As we have seen, Leonard Maltin hasn't always had the same story about the death of Thelma Todd, and he hasn't always had the same story about the influence of Marilyn Monroe on a certain cartoon character.



We've talked about the cartoon character "Tinker Bell" and Marilyn Monroe here before, they put a segment at the end of the "Peter Pan" videotape where Leonard Maltin states that the story that Tinker Bell was modeled after Marilyn Monroe was false. However, his 1973 book THE DISNEY FILMS states:

"The actual design of Tinker Bell was another problem, since the sprite had always been shown as merely a beam of light ( even in the silent film* ). Existing character sketches trace Tinker Bell's development from the inception in 1938 to the design finally used: in the 1940's the Disney artists considered modeling her after the current conception of female attractiveness, an idea that would have proved disastrous, if employed. Disney claimed in a magazine article that the final decision on Tinker Bell's looks was cemented by the popularity of Marilyn Monroe, after whose figure Tinker Bell was modeled."

This is almost the same story as in the segment at the end of the videotape, except that there they replace the part about Marilyn Monroe with Maltin's claim that the Marilyn Monroe story was false. Since Leonard Maltin himself had previously had the same story in his own book and attributed it to Walt Disney, we have a situation where we are told by the same man to accept the a story at one point and to reject it at another, with no reason given for the change. Actually there is reason to believe that the cartoon character was modeled after Marilyn Monroe, who was in fact well known at the time in spite of Maltin's claim that she was an unknown at the time that PETER PAN was released.

There is a tendency for the modern media to seize upon certain stories and insist that everyone accepts them, often for no reason or no reason that can be seen. This appears to be one of these cases.



*The silent PETER PAN has since become available. Tinkerbell is portrayed by an actress in the film.



Leonard Maltin's FILM FAN MONTHLY:http://stargayzing.com/a-letter-from-film-scholar-leonard-maltin-regarding-his-fanzine-film-fan-monthly/

Leonard Maltin's Movie Crazy:
http://blogs.indiewire.com/leonardmaltin/

PETER PAN:
http://rymickey.blogspot.com/2013/12/the-disney-discussion-peter-pan.html










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Saturday, July 11, 2020

Marilyn Monroe and Hal Roach

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Marilyn Monroe was at the Hal Roach studio early in her career.


Clayton Moore mentioned seeing Marilyn Monroe there in his autobiography..


 



Moore was working on the Lone Ranger show at the time. It was one of a number of shows which was being shot there in this period.


Hal Roach also mentioned Marilyn Monroe being at his studio.







A commercial with Marilyn Monroe which was filmed at the Hal Roach studio.





A movie with Marilyn Monroe which was filmed at the Hal Roach studio.





https://www.imdb.com/title/tt0043651/

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Thursday, August 6, 2015

Lucille Ball







Lucille Ball was born on this day in 1911.

Lucille Ball

From Wikipedia, the free encyclopedia
        
Lucille Ball
Lucille Ball 1944crop.jpg
Ball in 1941
BornLucille Désirée Ball
(1911-08-06)August 6, 1911
Jamestown, New York, U.S.
DiedApril 26, 1989(1989-04-26) (aged 77)
Beverly Hills, California
Cause of deathAbdominal aortic dissection
Other namesLucille Ball Morton
Lucille Ball Arnaz
Diane Belmont
Lucy Ball
Lucy Arnaz
Lucy Morton
OccupationActress, comedienne, model, film studio executive, TV producer, singer
Years active1932–1989
Spouse(s)
ChildrenLucie Arnaz
Desi Arnaz Jr.
Signature
Lucy signature cropped.svg
Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American actress, comedienne, model, film studio executive, TV producer and singer. She was the star of the sitcoms I Love Lucy, The Lucy–Desi Comedy Hour, The Lucy Show, Here's Lucy, and Life with Lucy.[1]
Ball's career in the spotlight began in 1929, when she landed work as a model. Shortly thereafter, Lucille began her performing career on Broadway using the stage name Diane Belmont and Dianne Belmont. She performed many small movie roles in the 1930s and 1940s as a contract player for RKO Radio Pictures, being cast as a chorus girl, or in similar roles, and was dubbed the "Queen of the Bs" (referring to her many roles in B-films).[citation needed]. In the midst of her work as a control player for RKO, Ball met Cuban bandleader Desi Arnaz. The two eloped on November 30, 1940.
During the 1950s, Lucille Ball became a television star. In 1951, Ball and Arnaz created the television series I Love Lucy, a show that would go on to be one of the most beloved programs in television history. On July 17, 1951, at almost forty years of age, Ball gave birth to their first child, Lucie Désirée Arnaz.[2] A year and a half later, she gave birth to their second child, Desiderio Alberto Arnaz IV, known as Desi Arnaz, Jr.[3] Ball and Arnaz divorced on May 4, 1960.
In 1962, Ball became the first woman to run a major television studio, Desilu. Her studio produced many successful and popular television series, including Mission: Impossible and Star Trek.[4] She continued making film and television appearances for most of the rest of her life, albeit without ever attaining the success she enjoyed in the 1950s.
Ball was nominated for an Emmy Award thirteen times and won four times.[5] In 1977, Ball was among the first recipients of the Women in Film Crystal Award.[6] She was the recipient of the Golden Globe Cecil B. DeMille Award in 1979,[7] the Lifetime Achievement Award from the Kennedy Center Honors in 1986,[8] and the Governors Award from the Academy of Television Arts & Sciences in 1989.[9]
On April 26, 1989, at the age of 77, Ball died of an abdominal aortic dissection.[10] At the time of her death, she had been married to standup comedian Gary Morton, her business partner and second husband, for more than 27 years.[11]

Early life

Ball was born in Jamestown, New York, in the far western part of the state, the daughter of Désirée "DeDe" Evelyn (née Hunt; September 21, 1892 – July 20, 1977) and Henry Durrell Ball (September 16, 1887 – February 28, 1915). Ball and her family, following her father's death in 1915, moved to nearby Celoron and lived there as a child with her grandparents. She later sometimes claimed she had been born in Butte, Montana.[12]
A number of magazines reported inaccurately that she had decided that Montana was a more romantic place to be born than New York and repeated a fantasy of a “Western childhood”; in fact, her father had moved the family there briefly for work, among other places.[13] Her family was Baptist, and her ancestry included Scottish, French, Irish, and English.[14][15] Some of her genealogy leads to the earliest settlers in the colonies, including Englishman Edmund Rice, an early immigrant to Massachusetts Bay Colony.[16][17]
Her father, a telephone lineman for Bell Telephone Company, was frequently transferred because of his occupation. Within three years of her birth, Lucille had moved with her parents from Jamestown to Anaconda, and then to Trenton.[18] While DeDe Ball was pregnant with her second child, Frederick, Henry Ball contracted typhoid fever and died in February 1915.[19] Ball recalled little from the day her father died, but remembered a bird getting trapped in the house. From that day forward, she suffered from ornithophobia.[20]
After her father died, her mother returned to New York and her parents. Ball and her brother, Fred Henry Ball (July 17, 1915 – February 5, 2007), were raised by their mother and maternal grandparents in Celoron, New York, a summer resort village on Lake Chautauqua, just west of Jamestown.[21] Lucy loved Celoron Park, one of the best amusement areas in the United States at that time. Its boardwalk had a ramp to the lake as a children’s slide, the Pier Ballroom, roller-coaster, bandstand, and a stage where vaudeville, concerts, and regular theatrical shows were presented, all making the Park an entertainment destination.[13] Her grandfather, Fred Hunt, was an eccentric who also enjoyed the theater. He frequently took the family to vaudeville shows and encouraged young Lucy to take part in both her own and school plays.[citation needed]
Four years after the death of her father, Ball’s mother DeDe remarried, to Edward Peterson. While her mother and stepfather looked for work in another city, Ball and her brother were cared for by her stepfather’s parents. Ball’s new guardians were a puritanical Swedish couple who banished all mirrors from the house except for one over the bathroom sink. When the young Ball was caught admiring herself in it, she was severely chastised for being vain.[22] This period of time affected Ball so deeply that in later life she claimed that it lasted seven or eight years.[23] Peterson was a Shriner. When his organization needed female entertainers for the chorus line of their next show, he encouraged his twelve-year-old stepdaughter to audition.[24] While Ball was onstage, she realized performing was a great way to gain praise and recognition. Her appetite for recognition had thus been awakened at an early age.[25] In 1927 her family suffered misfortune. Their house and furnishings were lost to settle a financial legal judgment, after a neighborhood boy was accidentally shot and paralyzed by someone target shooting in their yard under Ball's grandfather's supervision. The family moved into a small apartment in Jamestown.[26]

Career

Teenage years and early career

In 1925 Ball, then only 14, started dating Johnny DeVita, a 23-year-old local hood. DeDe was unhappy with the relationship, but was unable to influence her daughter to end it. She expected the romance to burn out in a few weeks, but that did not happen. After about a year, DeDe tried to separate them by using Lucille's desire to be in show business. Despite the family's meager finances, she arranged for Lucille to go to the John Murray Anderson School for the Dramatic Arts in New York City,[27][28] where Bette Davis was a fellow student. Ball later said about that time in her life, "All I learned in drama school was how to be frightened."[29]
Ball was determined to prove her teachers wrong and returned to New York City in 1928. Among her other jobs, she landed work as a fashion model for Hattie Carnegie.[30] Her career was thriving when she became ill, either with rheumatic fever, rheumatoid arthritis, or an unknown illness, and was unable to work for two years.[31] She moved back to New York City in 1932 to resume her pursuit of a career as an actress and supported herself by again working for Carnegie[32] and as the Chesterfield cigarette girl. Using the name Diane (sometimes spelled Dianne) Belmont, she started getting some chorus work on Broadway[33] but the work was not lasting. Ball was hired – but then quickly fired – by theatre impresario Earl Carroll, from his Vanities, and by Florenz Ziegfeld, from a touring company of Rio Rita.[34] She was let go from the Shubert brothers production of Stepping Stones.[citation needed]

Hollywood

After an uncredited stint as a Goldwyn Girl in Roman Scandals (1933), starring Eddie Cantor and Gloria Stuart, Ball moved permanently to Hollywood to appear in films. She appeared in many small movie roles in the 1930s as a contract player for RKO Radio Pictures, including a two-reel comedy short with the Three Stooges (Three Little Pigskins, 1934) and a movie with the Marx Brothers (Room Service, 1938). She can also be seen as one of the featured models in the Fred Astaire and Ginger Rogers film Roberta (1935), briefly as the flower girl in Top Hat (1935), as well as in a brief supporting role at the beginning of Follow the Fleet (1936),[35] another Astaire-Rogers film. Ginger Rogers was a distant maternal cousin of Ball's. She and Rogers played aspiring actresses in the film Stage Door (1937), co-starring Katharine Hepburn.
In 1936 she also landed the role she hoped would lead her to Broadway, in the Bartlett Cormack play Hey Diddle Diddle, a comedy set in a duplex apartment in Hollywood. The play premiered in Princeton, New Jersey, on January 21, 1937 with Ball playing the part of Julie Tucker, "one of three roommates coping with neurotic directors, confused executives, and grasping stars who interfere with the girls' ability to get ahead."[36] The play received good reviews, but there were problems, chiefly with its star, Conway Tearle, who was in poor health. Cormack wanted to replace him, but the producer, Anne Nichols, said the fault lay with the character and insisted that the part needed to be reshaped and rewritten. The two were unable to agree on a solution. The play was scheduled to open on Broadway at the Vanderbilt Theatre, but closed after one week in Washington, D.C. when Tearle suddenly became gravely ill.[37]
Ball was signed to Metro-Goldwyn-Mayer in the 1940s, but she never achieved major stardom from her appearance in the studio's films.[38] She was known in many Hollywood circles as "Queen of the B's" – a title previously held by Fay Wray – starring in a number of B-movies, such as Five Came Back (1939). Like many budding actresses Ball picked up radio work to earn side income as well as gain exposure. In 1937 she appeared regularly on The Phil Baker Show.
When that completed its run in 1938, Ball joined the cast of The Wonder Show starring Jack Haley (best remembered as the Tin man in The Wizard of Oz, 1939). It was here that she began her fifty-year professional relationship with Gale Gordon, who served as show announcer. The Wonder Show lasted one season, with the final episode airing on April 7, 1939.[39] MGM producer Arthur Freed purchased the Broadway hit musical play DuBarry Was a Lady (1943) especially for Ann Sothern, but when Sothern turned down the part the choice role was awarded to Ball, who in real life was Sothern's best friend. In 1946 Ball starred in Lover Come Back and, in 1948, made an uncredited appearance as Sally Elliot in The Fuller Brush Man.

I Love Lucy and Desilu



A scene from "Lucy Goes to Scotland", 1956
In 1948, Ball was cast as Liz Cugat (later "Cooper"), a wacky wife, in My Favorite Husband, a radio program for CBS Radio. The program was successful, and CBS asked her to develop it for television. She agreed, but insisted on working with her real-life husband, Cuban bandleader Desi Arnaz. CBS executives were reluctant, thinking the public would not accept an All-American redhead and a Cuban as a couple. CBS was initially not impressed with the pilot episode produced by the couple's Desilu Productions company, so the couple toured the road in a vaudeville act with Lucy as the zany housewife wanting to get in Arnaz's show. The tour was a great success, and CBS put I Love Lucy into their lineup.[40] The I Love Lucy show was not only a star vehicle for Lucille Ball, but a way for her to try to salvage her marriage to Desi Arnaz, which had become badly strained, in part by both having hectic performing schedules which often kept them apart.
Along the way, she created a television dynasty and reached several "firsts." Ball was the first woman in television to be head of a production company: Desilu, the company that she and Arnaz formed. After their divorce, Ball bought out Arnaz's share of the studio, and she proceeded to function as a very active studio head.[41] Desilu and I Love Lucy pioneered a number of methods still in use in television production today such as filming before a live studio audience with a number of cameras, and distinct sets adjacent to each other.[42] During this time Ball taught a thirty-two week comedy workshop at the Brandeis-Bardin Institute. Ball was quoted as saying, "You cannot teach someone comedy; either they have it or they don't."[43]
Ball and Arnaz wanted to remain in their Los Angeles home, but the time zone logistics made that broadcast norm impossible. Prime time in L.A. was too late at night on the East Coast to air a major network series, meaning the majority of the TV audience would be seeing not only the inferior picture of kinescopes but seeing them at least a day later.[44]
Sponsor Philip Morris did not want to show day-old kinescopes to the major markets on the East Coast, yet neither did they want to pay for the extra cost that filming, processing, and editing would require, pressuring Ball and Arnaz to relocate to New York City. Ball and Arnaz offered to take a pay cut to finance filming, on the condition that their company, Desilu, would retain the rights to that film once it was aired. CBS relinquished the show rights to Desilu after initial broadcast, not realizing they were giving away a valuable and durable asset. In 1957, CBS bought the rights back for one million dollars, which provided Ball and Arnaz the down payment for the purchase of the former RKO Studios, which became Desilu Studios.[45]


With John Wayne in I Love Lucy, 1955
I Love Lucy dominated the ratings in the United States for most of its run. (There was an attempt to adapt the show for radio; the cast and writers adapted the memorable "Breaking the Lease" episode — in which the Ricardos and Mertzes fall out over an argument, the Ricardos threaten to move, but they're stuck in a firm lease — for a radio audition disc that never aired but has survived.)[46] A scene in which Lucy and Ricky are practicing the tango, in the episode "Lucy Does The Tango", evoked the longest recorded studio audience laugh in the history of the show; so long that the sound editor had to cut that particular part of the soundtrack in half.[47] During the show's production breaks they starred together in two feature films: The Long, Long Trailer (1954) and Forever, Darling (1956). Desilu produced several other popular shows, such as The Untouchables, Star Trek, and Mission: Impossible. Desilu was eventually sold for $17,000,000 and merged into Paramount Pictures in 1967.[48]

Later career

The 1960 Broadway musical Wildcat ended its run early when Ball became too ill to continue in the show.[49] The show was the source of the song she made famous, "Hey, Look Me Over," which she performed with Paula Stewart on The Ed Sullivan Show. She made a few more movies including Yours, Mine, and Ours (1968), and the musical Mame (1974), and two more successful long-running sitcoms for CBS: The Lucy Show (1962–68), which costarred Vivian Vance and Gale Gordon, and Here's Lucy (1968–74), which also featured Gordon, as well as Lucy's real life children, Lucie Arnaz and Desi Arnaz, Jr. She appeared on the Dick Cavett show in 1974 and spoke of her history and life with Arnaz. She revealed how she felt about other actors and actresses as well as her love for Arnaz. Ball revealed in this interview that the strangest thing to ever happen to her was after she had some dental work completed and having lead fillings put in her teeth, she started hearing radio stations in her head. She explained that going home one night from the studio, as she passed one area, she heard what she thought was morse code or a "tapping". She stated that "as I backed up it got stronger. The next morning, I reported it to the authorities and upon investigation, they found a Japanese radio transmitter that had been buried and was actively transmitting codes back to the Japanese."[50][51]
Ball was originally considered by Frank Sinatra for the role of Mrs. Iselin in the Cold War thriller The Manchurian Candidate. Director/producer John Frankenheimer, however, had worked with Angela Lansbury in a mother role in All Fall Down and insisted on having her for the part.[52]
An aged Ball standing in a crowd of celebrities, wearing a black and gold sequinned dress with her characteristic red hair, looking fragile.

Ball at her last public appearance at the 61st Academy Awards in 1989, four weeks before her death. Ball's husband Gary Morton can be seen on the left side of the photograph.
During the mid-1980s, Ball attempted to resurrect her television career. In 1982 she hosted a two-part Three's Company retrospective, showing clips from the show's first five seasons, summarizing memorable plotlines, and commenting on her love of the show.[53] A 1985 dramatic made-for-TV film about an elderly homeless woman, Stone Pillow, received mixed reviews. Her 1986 sitcom comeback Life With Lucy, costarring her longtime foil Gale Gordon and co-produced by Ball, Gary Morton, and prolific producer/former actor Aaron Spelling was canceled less than two months into its run by ABC.[54] In February 1988, Ball was named the Hasty Pudding Woman of the Year.[55]
In May 1988 Ball was hospitalized after suffering a mild heart attack.[56] Her last public appearance, just one month before her death, was at the 1989 Academy Awards telecast in which she and fellow presenter, Bob Hope, were given a standing ovation.

Testimony before the House Committee on Un-American Activities

When Ball registered to vote in 1936, she listed her party affiliation as Communist.[57] (She was registered as a Communist in 1938 as well.)[58] In order to sponsor the Communist Party's 1936 candidate for the California State Assembly's 57th District, Ball signed a certificate stating "I am registered as affiliated with the Communist Party."[59] The same year, she was appointed to the State Central Committee of the Communist Party of California, according to records of the California Secretary of State. In 1937, Hollywood writer Rena Vale, a self-identified former Communist, attended a Communist Party new members' class at Ball's home, according to Vale's testimony before the United States House of Representatives' Special Committee on Un-American Activities, on July 22, 1940.[60] Two years later, Vale reaffirmed this testimony in a sworn deposition:
"Within a few days after my third application to join the Communist Party was made, I received a notice to attend a meeting on North Ogden Drive, Hollywood; although it was a typed, unsigned note, merely requesting my presence at the address at 8 o'clock in the evening on a given day, I knew it was the long-awaited notice to attend Communist Party new members classes ... on arrival at this address I found several others present; an elderly man informed us that we were the guests of the screen actress, Lucille Ball, and showed us various pictures, books and other objects to establish that fact, and stated she was glad to loan her home for a Communist Party new members class."
Affidavit of Rena M. Vale, November 23, 1942. Joint Fact-Finding Committee on Un-American Activities in California.
In a 1944 British Pathé newsreel, titled Fund Raising For Roosevelt, Ball was featured prominently among several stage and film stars at a fund-raising event in support of Democratic President Franklin D. Roosevelt's campaign for re-election.[61] She stated that in the 1952 US Presidential Election, she voted for Republican Dwight Eisenhower.[62]
On September 4, 1953, Ball met privately with HUAC investigator William A. Wheeler in Hollywood and gave him sealed testimony. She stated that she had registered to vote as a Communist "or intended to vote the Communist Party ticket" in 1936 at her socialist grandfather's insistence.[63] She stated she "at no time intended to vote as a Communist."
Ball stated she has never been a member of the Communist Party "to her knowledge" ... [She] did not know whether or not any meetings were ever held at her home at 1344 North Ogden Drive; stated... [that if she had been appointed] as a delegate to the State Central Committee of the Communist Party of California in 1936 it was done without her knowledge or consent; [and stated that she] did not recall signing the document sponsoring EMIL FREED for the Communist Party nomination to the office of member of the assembly for the 57th District...
A review of the subject's file reflects no activity that would warrant her inclusion on the Security Index.[64]
J. Edgar Hoover, then director of the FBI, named "Lucy and Dezi [sic]" among his "favorites of the entertainment world."[65] Immediately before the filming of episode 68 ("The Girls Go Into Business") of I Love Lucy, Desi Arnaz, instead of his usual audience warm-up, told the audience about Lucy and her grandfather. Reusing the line he had first given to Hedda Hopper in an interview, he quipped: "The only thing red about Lucy is her hair, and even that is not legitimate."[66]

Personal life

Marriage, children, and divorce

In 1940, Ball met Cuban-born bandleader Desi Arnaz while filming the Rodgers and Hart stage hit Too Many Girls. When they met again on the second day, the two connected immediately and eloped the same year. Although Arnaz was drafted into the Army in 1942, he ended up being classified for limited service due to a knee injury.[67] As a result, Arnaz stayed in Los Angeles, organizing and performing USO shows for wounded GI's being brought back from the Pacific. That same year, Ball appeared opposite Henry Fonda in The Big Street, in which she plays a paralyzed nightclub singer and Fonda portrays a busboy who idolizes her. The following year Ball appeared in DuBarry Was a Lady, a film for which the natural brunette first had her hair dyed the flaming red that would become her screen trademark.[citation needed]
Ball originally filed for divorce in 1944, going so far as obtaining an interlocutory decree; however, she reconciled with Arnaz and stopped the proceedings.[68] Even though the couple were only six years apart in age, many apparently believed that it was less socially acceptable for an older woman to marry a younger man, and hence split the difference in their ages, both claiming a 1914 birth date until this was disproved some years later.[citation needed]
Colored glamorous shot of Lucille Ball and Arnaz standing. Both are smiling to the front. Ball at the left wears a ceremonial gown; Arnaz at right wears a tuxedo.

With husband Desi Arnaz in 1950s.
On July 17, 1951, one month before her 40th birthday, Ball gave birth to her first child, Lucie Désirée Arnaz.[2] A year and a half later, Ball gave birth to her second child, Desiderio Alberto Arnaz IV, known as Desi Arnaz, Jr.[3] Before he was born, I Love Lucy was a solid ratings hit, and Ball and Arnaz wrote the pregnancy into the show. (Ball's necessary and planned caesarean section in real life was scheduled for the same date that her television character gave birth.)[3] There were several challenges from CBS, insisting that a pregnant woman could not be shown on television, nor could the word "pregnant" be spoken on-air. After approval from several religious figures[69] the network allowed the pregnancy storyline, but insisted that the word "expecting" be used instead of "pregnant." (Arnaz garnered laughs when he deliberately mispronounced it as "'spectin'".)[70] The episode's official title was "Lucy Is Enceinte," borrowing the French word for pregnant;[18] however, episode titles never appeared on the show. The country was in an uproar over Lucy’s approaching delivery through the winter of 1952. Even the coverage of Dwight D. Eisenhower’s winning the 1952 U.S. presidential election had to battle for media time against Lucy's special event. On January 14, 1953, reports flew around that baby Ricardo would be born on the following Monday’s show. Thousands called the studio and the Hollywood Press Office, demanding to know the details. January 19 would be a date to be remembered in the records of television history. Eisenhower’s swearing-in ceremony had an audience of 29 million people, while 44 million watched Lucy Ricardo welcome little Ricky.[13] The birth made the first cover of TV Guide for the week of April 3–9, 1953. Lucy appeared on the cover of TV Guide more times than any other star in the history of the magazine.[71]
In October 1956, Ball, Vivian Vance, Desi Arnaz, and William Frawley all appeared on a Bob Hope special on NBC, including a spoof of I Love Lucy, the only time all four stars were together on a color telecast. By the end of the 1950s, Desilu had become a large company, causing a good deal of stress for both Ball and Arnaz; his increased drinking further compounded matters.[citation needed]
On March 3, 1960, a day after Desi's forty-third birthday (and one day after the filming of Lucy and Desi's last episode together), Lucy filed papers in Santa Monica Superior Court, claiming married life to Desi was "a nightmare" and nothing at all like it appeared on I Love Lucy.[72]
On May 4, 1960, just two months after filming that episode (the final episode of The Lucy-Desi Comedy Hour), the couple divorced. Until his death in 1986, however, Arnaz and Ball remained friends and often spoke very fondly of each other. Her real-life divorce indirectly found its way into her later television series, as she was always cast as an unmarried woman.[73][74]
The following year, Ball starred in the Broadway musical Wildcat, which co-starred Keith Andes and Paula Stewart. That marked the beginning of a thirty-year friendship between Lucy and Stewart, who introduced Lucy to second husband Gary Morton, a Borscht Belt comic who was thirteen years her junior.[11] According to Ball, Morton claimed he had never seen an episode of I Love Lucy due to his hectic work schedule.[75] Ball immediately installed Morton in her production company, teaching him the television business and eventually promoting him to producer. Morton played occasional bit parts on Ball's various series.[76]
Ball was outspoken against the relationship her son had with Patty Duke. Talking about Duke dating her son, she was quoted as saying, "I miss Patty, but you cannot domesticate Patty."[77]
Ball's close friends in the business included perennial co-star Vivian Vance as well as film stars Ann Sothern and Ginger Rogers, and comedic television performers Mary Wickes and Mary Jane Croft; all appeared at least once on her various series. Former Broadway co-stars Andes and Stewart also appeared at least once on her later sitcoms. Ball mentored actress and singer Carole Cook, and befriended Barbara Eden, when Eden appeared on an episode of I Love Lucy.

Death

On April 18, 1989, Ball was at her home in Beverly Hills when she complained of chest pains. An ambulance was called and she was rushed to the emergency room of Cedars-Sinai Medical Center. She was diagnosed with dissecting aortic aneurysm and underwent heart surgery for nearly eight hours, receiving an aorta from a 27-year-old man who had died in a motorcycle accident. The surgery appeared to have been successful, and Ball began recovering very quickly, even walking around her room with little assistance. She received a flurry of get-well wishes from Hollywood, and across the street from Cedars-Sinai Medical Center, the Hard Rock Café erected a sign reading "Hard Rock Loves Lucy". However, shortly after dawn on April 26, Ball awoke with severe back pains and soon lost consciousness.[78][79] All attempts to revive her proved unsuccessful, and she died at 05:47 PDT. Doctors determined that the 77-year-old comedian had succumbed to a second aortic rupture, this time in the abdominal area, and that it was unrelated to her surgery the previous week.[80][81] Her body was cremated and the ashes were initially interred in Forest Lawn – Hollywood Hills Cemetery in Los Angeles. However, in 2002, her children moved her remains to the family plot at Lake View Cemetery in Jamestown, New York, where Ball's parents, brother, and grandparents are interred.[82][83]

Legacy



The Lucille Ball Little Theatre in Ball's hometown of Jamestown, New York
On February 8, 1960, Ball was awarded two stars on the Hollywood Walk of Fame: one at 6436 Hollywood Boulevard for contributions to motion pictures, and one at 6100 Hollywood Boulevard for television.[84]
Ball received many prestigious awards throughout her career including some posthumously such as the Presidential Medal of Freedom by President George H. W. Bush on July 6, 1989,[85] and The Women's International Center's 'Living Legacy Award'.[86]
There is a Lucille Ball-Desi Arnaz Center museum in Lucy's hometown of Jamestown, New York. The Little Theatre was renamed the Lucille Ball Little Theatre in her honor.[87] Ball was among Time magazine's "100 Most Important People of the Century."[88]
On June 7, 1990, Universal Studios Florida opened a walk-through attraction dedicated to Lucille, named "Lucy - A Tribute", which features clips of shows, as well as various pieces of trivia about Lucille, along with items owned by or associated with Lucille, and an interactive quiz for guests. [89]
On August 6, 2001, which would have been her 90th birthday, the United States Postal Service honored her with a commemorative postage stamp as part of its Legends of Hollywood series.[90] Ball appeared on the cover of TV Guide more than any other person; she appeared on thirty-nine covers, including the very first cover in 1953 with her baby son, Desi Arnaz, Jr.[91] TV Guide voted Lucille Ball as the 'Greatest TV Star of All Time' and it later commemorated the fiftieth anniversary of I Love Lucy with eight collector covers celebrating memorable scenes from the show. In another instance it named I Love Lucy the second-best television program in American history, after Seinfeld.[92] Because of her liberated mindset and approval of the Women's Movement, Ball was inducted into the National Women's Hall of Fame in 2001.[93]


Ball's Hollywood Walk of Fame star for her television work
The Friars Club named a room in its New York clubhouse for Lucille Ball.[94] She was awarded the 'Legacy of Laughter' award at the fifth Annual TV Land Awards in 2007.[95] I Love Lucy was named the 'Greatest TV Series' by Hall of Fame Magazine[citation needed]. In November 2007, Lucille Ball was chosen as the second out of the '50 Greatest TV Icons', after Johnny Carson. In a poll done by the public, however, they chose her as the greatest icon.[96]
On August 6, 2011, which would have been her 100th birthday, Google honored Ball with an interactive doodle on their homepage. This doodle displayed six classic moments from I Love Lucy.[97] On the same day a total of 915 Ball look-alikes converged on Jamestown, New York, to celebrate the birthday and set a new world record for such a gathering.[98]
Since 2009, a statue of Ball has been on display in Celeron, New York, where residents have deemed it "scary". The artist has discussed fixing the statue with town officials, but claimed they wanted him to do it at his own expense. In 2015, Celeron's mayor said the town is looking to hire a different artist instead.[99] In 2015 @midnight, which uses the same studio where I Love Lucy was shot, is mounting a campaign to purchase the statue and "bring it home."[100]

Filmography and television work

Radio appearances

YearProgramEpisode/source
1951Screen Directors PlayhouseBachelor Mother[101]

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Citations – books

Further reading

  • Karol, Michael (2003). Lucy in Print; ISBN 0-595-29321-2
  • Karol, Michael (2004). Lucy A to Z: The Lucille Ball Encyclopedia; ISBN 0-595-29761-7
  • Karol, Michael (2005). The Comic DNA of Lucille Ball: Interpreting the Icon; ISBN 0-595-37951-6
  • McClay, Michael (1995). I Love Lucy: The Complete Picture History of the Most Popular TV Show Ever; ISBN 0-446-51750-X (hardcover)
  • Meeks, Eric G. (2011). P.S. I Love Lucy: The Story of Lucille Ball in Palm Springs. Horotio Limburger Oglethorpe. p. 45. ISBN 978-1468098549. 
  • Pugh Davis, Madelyn; with Carroll Jr., Bob (2005). Laughing With Lucy: My Life With America's Leading Lady of Comedy; ISBN 978-1-57860-247-6
  • Sheridan, James & Barry Monush (2011). Lucille Ball FAQ: Everything Left to Know About America's Favorite Redhead; ISBN 978-1-61774-082-4
  • Young, Jordan R. (1999). The Laugh Crafters: Comedy Writing in Radio & TV's Golden Age. Beverly Hills: Past Times Publishing; ISBN 0-940410-37-0 (interview with Bob Schiller)

External links








Lucille Ball ate very little when she was working as a model, and her health suffered as a result. Starvation diets caused problems for many of the glamour girls.


Some of the same people that were associated with Thelma Todd were around Lucille Ball, including Pat DiCicco, the Marx Brothers, and Edward Stevenson.



Lucille Ball started out as a blonde.

 
 

In the early 1930's, she could be seen in the chorus of Eddie Cantor movies.

 
 
 
And worked with the Three Stooges.
 
 
 
 
 
Donkey Polo: Vivian Keefer, Barbara Pepper, Lucille Ball, & Jane Hamilton
 
 
 
 
 
With Betty Grable in a racecar
 
 
 
 
With Betty Grable and Harriet Hillyard in FOLLOW THE FLEET.

 
 
 
 
 
With Desi Arnaz
 
 
 
 
 
 
 
 
 



 
 
 
Clint Walker with Lucille Ball.
 
 
 
 
With Buster Keaton on television.
 
 
 
 
The porthole gag.

 
 
 
Marilyn Monroe version in GENTLEMEN PREFER BLONDES.
 
 
 
 
Betty-Grable-Marilyn-Monroe-Walter-Winchell-Jane-Russell-Lucille-Ball-Jimmy-McHugh-and-Louella-Parsons-at-Walter-Winchells-Birthday-Party-at-Ciros-May-13-1953
 
 
 
 
 Dressed in potatoe sack
 
 
 
 
With Harpo  Marx
 
 
 
 
 
 
 
 
 COVER GIRL
 
 
 
 
 
 
 
 
 
Watch THREE LITTLE PIGSKINS
 

 
 
Lucille Ball and Vivian Vance in the chocolate factory
 

 
 
 

Lucille Ball site:
 
 
 
 
 
Lucille Ball and Pat DiCicco:
 
 
 
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