Oliver Hardy was born on January 18, 1892.
(1892-01-18)January 18, 1892
|Died||August 7, 1957(1957-08-07) (aged 65)|
North Hollywood, California
Cause of death
Virginia Lucille Jones
(m.1940-1957; his death)
Early life and educationOliver Hardy was born Norvell Hardy in Harlem, Georgia. His father, Oliver, was a Confederate veteran who was wounded at the Battle of Antietam on September 17, 1862. After his demobilization as a recruiting officer for Company K, 16th Georgia Regiment, the elder Oliver Hardy assisted his father in running the vestiges of the family cotton plantation. He bought a share in a retail business and was elected full-time Tax Collector for Columbia County, Georgia. Norvell's mother Emily Norvell was the daughter of Thomas Benjamin Norvell and Mary Freeman, descended from Captain Hugh Norvell of Williamsburg, Virginia, who had arrived in Virginia before 1635. Hardy and Norvell had married March 12, 1890; it was the second marriage for the widow Emily, and the third for Oliver. He was of paternal English American descent and maternal Scottish American descent.
The family moved to Madison in 1891, before Norvell’s birth. Emily Hardy owned a house in Harlem, which was either empty or rented out to tenant farmers. Norvell was likely born in Harlem, though some sources say his birth occurred in Covington, his mother’s home town. His father died less than a year after his birth. Hardy was the youngest of five children. His older brother Sam Hardy died in a drowning accident in the Oconee River. Hardy pulled his brother from the river but was unable to resuscitate him. As a child, Hardy was sometimes difficult. He was sent to Georgia Military College in Milledgeville as a youngster. In the 1905/1906 school year, fall semester (September–January), when he was 13, Hardy was sent to Young Harris College in north Georgia. He was in the junior high component of that institution of the time (the equivalent of high school today).
Hardy had little interest in formal education, although he acquired an early interest in music and theater, possibly from his mother’s tenants. He joined a theatrical group, and later ran away from a boarding school near Atlanta to sing with the group. His mother recognized his talent for singing, and sent him to Atlanta to study music and voice with singing teacher Adolf Dahm-Petersen. Hardy skipped some of his lessons to sing in the Alcazar Theater, a cinema, for US$3.50 a week. He subsequently decided to go back to Milledgeville.
Sometime prior to 1910, Hardy began styling himself "Oliver Norvell Hardy", adding the first name “Oliver” as a tribute to his father. He appeared as “Oliver N. Hardy” in the 1910 U.S. census,[N 1] and in all subsequent legal records, marriage announcements, etc., Hardy used “Oliver” as his first name.
Hardy was initiated into Freemasonry, at Solomon Lodge No. 20 in Jacksonville, Florida. His membership is mentioned in the TV interview on an episode of This Is Your Life in 1954. Hardy’s mother wanted him to attend the University of Georgia in the fall of 1912, to study law, but there is no evidence that he did.
Early careerIn 1910, when a movie theater opened in Hardy’s home town of Milledgeville, he became the projectionist, ticket taker, janitor and manager. He soon became obsessed with the new motion picture industry, and was convinced that he could do a better job than the actors he saw. A friend suggested that he move to Jacksonville, Florida, where some films were being made. In 1913, Hardy did that, working in Jacksonville as a cabaret and vaudeville singer at night, and at the Lubin Manufacturing Company during the day. It this time he met and married his first wife Madelyn Saloshin, a pianist.
The next year he made his first movie, Outwitting Dad (1914), for the Lubin studio. He was billed as O. N. Hardy. In his personal life, he was known as “Babe” Hardy, a nickname that he was given by an Italian barber, who would apply talcum powder to Oliver’s cheeks and say, “nice-a-bab-y.” In many of his later films at Lubin, he was billed as “Babe Hardy.” Hardy was a big man at 6'1" tall and weighing up to 300 pounds. His size placed limitations on the roles he could play. He was most often cast as “the heavy” or the villain. He also frequently had roles in comedy shorts, his size complementing the character.
short one-reeler films at Lubin. He later moved to New York and made films for the Pathé, Casino and Edison Studios. After returning to Jacksonville, he made films for the Vim Comedy Company. That studio closed after Hardy discovered the owners were stealing from the payroll. He worked for the King Bee studio, which bought Vim. He worked with Bill Ruge, Billy West (a Charlie Chaplin imitator), and comedic actress Ethel Burton Palmer during this time. (Hardy continued playing the “heavy” for West well into the early 1920s, often imitating Eric Campbell to West’s Chaplin.)
In 1917, Oliver Hardy moved to Los Angeles, working freelance for several Hollywood studios. Later that year, he appeared in the movie The Lucky Dog, produced by G.M. (“Broncho Billy”) Anderson and starring a young British comedian named Stan Laurel. Oliver Hardy played the part of a robber, trying to stick up Stan’s character. They did not work together again for several years.
Between 1918 and 1923, Hardy made more than 40 films for Vitagraph, mostly playing the “heavy” for Larry Semon. In 1919, he separated from his wife, ending with a divorce in 1920, allegedly due to Hardy’s infidelity. The next year on November 24, 1921, Hardy married again, to actress Myrtle Reeves. This marriage was also unhappy. Reeves was said to have become alcoholic.
In 1924, Hardy began working at Hal Roach Studios working with the Our Gang films and Charley Chase. In 1925, he starred as the Tin Man in the Wizard of Oz. Also that year he was in the film, Yes, Yes, Nanette!, starring Jimmy Finlayson and directed by Stan Laurel. (In later years Finlayson frequently was a supporting actor in the Laurel and Hardy film series.) He also continued playing supporting roles in films featuring Clyde Cooke and Bobby Ray.
In 1926, Hardy was scheduled to appear in Get ’Em Young. He was unexpectedly hospitalized after being burned by a hot leg of lamb. Laurel, who had been working as a gag man and director at Roach Studios, was recruited to fill in. Laurel continued to act and, later that year, appeared in the same movie as Hardy, 45 Minutes from Hollywood, although they did not share any scenes together.
With Stan LaurelIn 1927, Laurel and Hardy began sharing screen time together in Slipping Wives, Duck Soup (no relation to the 1933 Marx Brothers’ film of the same name) and With Love and Hisses. Roach Studios’ supervising director Leo McCarey, realizing the audience reaction to the two, began intentionally teaming them together, leading to the start of a Laurel and Hardy series later that year. With this pairing, he created arguably the most famous double act in movie history.
They began producing a huge body of short movies, including The Battle of the Century (1927) (with one of the largest pie fights ever filmed), Should Married Men Go Home? (1928), Two Tars (1928), Unaccustomed As We Are (1929, marking their transition to talking pictures) Berth Marks (1929), Blotto (1930), Brats (1930) (with Stan and Ollie portraying themselves, as well as their own "sons," using oversized furniture sets for the ‘young’ Laurel and Hardy); Another Fine Mess (1930), Be Big! (1931), and many others.
Hollywood Revue of 1929, and the following year they appeared as the comic relief in a lavish all-color (in Technicolor) musical feature entitled The Rogue Song. This film marked their first appearance in color. In 1931, they starred in their first full-length movie, Pardon Us;they continued to make features and shorts until 1935. The Music Box, a 1932 short, won them an Academy Award for best short film — their only such award.
In 1936, Hardy and Myrtle Reeves divorced. While waiting for a contractual issue between Laurel and Hal Roach to be resolved, Hardy made Zenobia with Harry Langdon. Eventually, however, new contracts were agreed upon and the team was loaned out to producer Boris Morros at General Service Studios to make The Flying Deuces (1939). While on the lot, Hardy fell in love with Virginia Lucille Jones, a script girl, whom he married the next year. They enjoyed a happy marriage until his death.
In 1939, Laurel and Hardy made A Chump at Oxford (1940) (which features a moment of role reversal, with Oliver becoming a subordinate to a temporarily concussed Stan) and Saps at Sea (1940) before leaving Roach Studios. They began performing for the USO, supporting the Allied troops during World War II. They teamed up to make films for 20th Century Fox and later Metro-Goldwyn-Mayer. Although they made more money at the bigger studios, they had very little artistic control; critics say that these films lack the very qualities that had made Laurel and Hardy worldwide names. Their last Fox feature was The Bullfighters (1945), after which they declined to extend their contract with the studio.
In 1947, Laurel and Hardy went on a six-week tour of the United Kingdom. Initially unsure of how they would be received, they were mobbed wherever they went. The tour was lengthened to include engagements in Scandinavia, Belgium, France, as well as a Royal Command Performance for King George VI and Queen Elizabeth. Biographer John McCabe said they continued to make live appearances in the United Kingdom and France for the next several years, until 1954, often using new sketches and material that Laurel had written for them.
John Wayne, asked him to play a supporting role in The Fighting Kentuckian. Hardy had previously worked with Wayne and John Ford in a charity production of the play What Price Glory? while Laurel began treatment for his diabetes a few years previously. Initially hesitant, Hardy accepted the role at the insistence of his comedy partner. Frank Capra later invited Hardy to play a cameo role in Riding High with Bing Crosby in 1950.
During 1950–51, Laurel and Hardy made their final film. Atoll K (also known as Utopia) was a simple concept; Laurel inherits an island, and the boys set out to sea, where they encounter a storm and discover a brand new island, rich in uranium, making them powerful and wealthy. However, it was produced by a consortium of European interests, with an international cast and crew that could not speak to each other. In addition, the script needed to be rewritten by Laurel to make it fit the comedy team’s style, and both suffered serious physical illness during the filming.
In 1955, the pair had contracted with Hal Roach, Jr., to produce a series of TV shows based on the Mother Goose fables. They were to filmed in color for NBC. But, Laurel suffered a stroke and required a lengthy convalescence. Hardy had a heart attack and stroke later that year, from which he never physically recovered.
DeathIn May 1954, Hardy suffered a mild heart attack. During 1956, Hardy began looking after his health for the first time in his life. He lost more than 150 pounds in a few months, which completely changed his appearance. Letters written by Laurel refer to Hardy's having terminal cancer. Some readers have thought this was the real reason for Hardy’s rapid weight loss. Both men were heavy smokers. Hal Roach said they were a couple of "freight train smoke stacks".
coma from which he never recovered. Oliver Hardy died from cerebral thrombosis on August 7, 1957, at the age of 65.[N 2] His remains are located in the Masonic Garden of Valhalla Memorial Park Cemetery in North Hollywood. 
Stan Laurel was too ill to go to the funeral of his friend and film partner. He stated, "Babe would understand."
- Hardy’s star on the Hollywood Walk of Fame is located at 1500 Vine Street, Hollywood, California.
- The Dick Van Dyke Show episode The Sam Pomerantz Scandals, Dick van Dyke's character, Rob Petrie, and Sam Pomerantz, an old army buddy played by Henry Calvin, do an impression of a Laurel and Hardy sketch.
- In 1999, merchandiser Larry Harmon produced the direct-to-video film The All New Adventures of Laurel and Hardy: For Love or Mummy, starring Bronson Pinchot and Gailard Sartain as the comedy duo.
- There is a small Laurel and Hardy Museum in Hardy's hometown of Harlem, Georgia, which opened on July 15, 2000. Every year, the first Saturday in October, Oliver Hardy is celebrated and remembered with the Oliver Hardy Festival in this town.
- Laurel and Hardy are featured on the cover of The Beatles' album Sgt. Pepper's Lonely Hearts Club Band.
- For Oliver Hardy’s films without Stan Laurel, see: Filmography of Oliver Hardy
- For his films with Laurel, see: Laurel and Hardy films
- He was recorded as "Oliver M. Hardy" (not "N"), an "electrician" at an "electric theater". He was mistakenly listed as the "son" of Roy J. Baisden in his census listing.
- Quote: "Oliver Hardy, the fat, always frustrated partner of the famous movie comedy team of Laurel and Hardy, died early today at the North Hollywood home of his mother-in-law, Mrs. Monnie L. Jones. Mr. Hardy, who was 65 years old, suffered a paralytic stroke last Sept. 12."
- "This is Your Life", Episode December 1, 1954.
- "Creator: Bletcher, Billy, 1894-1979, Title, Dates: Billy Bletcher's Vim Southern Studio motion picture photographs, 1915-1917." State Archives of Florida Online Catalog. Retrieved: October 12, 2010.
- "The Lucky Dog (1921)." IMDb.com. Retrieved: March 20, 2010.
- Louvish 2001, p. 182.
- Evanier, Mark. "POV: Popint of View- Laurel and Hardy." povonline.com. Retrieved: March 20, 2010.
- Aping, Norbert. The Final Film of Laurel and Hardy. Jefferson, North Carolina: McFarland, 2008. ISBN 978-0-7864-3302-5.
- "Rubber Stamp- 25406-1/2 Malibu Rd., Malibu, CA - Typewritten." Letters from Stan. Retrieved: July 24, 2011.
- "The Stan Laurel Correspondence: 1957." lettersfromstan.com. Retrieved: March 20, 2010.
- "Oliver Hardy of Film Team Dies. Co-Star of 200 Slapstick Movies. Portly Master of the Withering Look and 'Slow Burn'. Features Popular on TV." The New York Times, August 8, 1957. Retrieved: March 20, 2010.
- "Oliver Hardy." FreeMasonry.bcy.ca. Retrieved: March 20, 2010.
- Rawlings, Nate (July 20, 2010). "Laurel and Hardy: Transatlantic Friends and Foes". Time. Archived from the original on January 20, 2013. Retrieved January 20, 2013.
- Louvish, Simon. Stan and Ollie: The Roots of Comedy. London: Faber & Faber, 2001. ISBN 0-571-21590-4.
- Marriot, A.J. Laurel & Hardy: The British Tours. Hitchen, Herts, UK: AJ Marriot, 1993. ISBN 0-9521308-0-7.
- McCabe, John. Babe: The Life of Oliver Hardy. London: Robson Books Ltd., 2004. ISBN 1-86105-781-4.
|Wikiquote has a collection of quotations related to: Oliver Hardy|
|Wikimedia Commons has media related to Oliver Hardy.|
- Oliver Hardy at the Internet Movie Database
- The Laurel and Hardy Magazine Website
- Official Laurel and Hardy Website
- The Laurel and Hardy Forum
- Oliver Hardy at Find a Grave
- Free clip from Bouncing Baby (1916), made available for public use by the State Archives of Florida
- Oliver Hardy's obituaries in the Los Angeles Times and Los Angeles Mirror-News
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You see a lot of criticism of Laurel and Hardy's last film, ATOLL K. Actually I liked that one, although I understand they did have problems during the making of that movie. But the conditions under which the movie was made do not necessarily affect it's entertainment value.
The rest of their movies I thought were of varying quality, although I would tend to agree that the movies they made for Hal Roach tended to be better than the ones they made afterward at different studios.
Oliver Hardy was able to succeed on his own in such movies without Stan Laurel and THE FIGHTING KENTUCKIAN and RIDING HIGH, although I thought the latter movie was awful, despite the presence of Frances Gifford in the cast.
The same studio that required Thelma Todd to diet in order to lose weight wanted Oliver Hardy to gain weight in order to conform to their idea that he was a funny fat man. This probably did contribute to the heart problems he had later in life.
Laurel and Hardy:
Jean Harlow with Laurel and Hardy: