Friday, February 24, 2012

Glass Slides



Sabrina demonstrates the concept of "projection"



Glass slides were often shown in theaters to advertise coming attractions. Here are a few, starting with the silent era and continuing on after the coming of sound, that illustrate what you might have seen on the screen in the old days.



Victor McLagen had a girl in every port in this one. When he wasn't a sailor, they were someplace else.



Baby Peggy was popular in the silent era.
 
 
 
So was Mabel Normand
 
 



 
Fay Lanphier was both Miss America and "The American Venus".



 
Thelma Todd as Venus, which is about the same thing as being "Hot Toddy".

 
 

Elinor Glyn was the author who coined the term "It" for sex appeal. Clara Bow was christened "The It Girl".




Another with Clara Bow




A very old silent movie.




Buster Keaton is in trouble again... and he's in love.




A visually imaginative Buster Keaton movie.



Douglas Fairbanks and Lupe Velez




Douglas Fairbanks in a classic of the silent screen.





Douglas Fairbanks in one of his talkies.





The picture that made Harlow a star.



 
Airships were seen as a viable means of air travel prior to the Hindenberg disaster.

 
 
 
Thelma Todd as Alison Loyd, which is also about the same thing as "Hot Toddy".
 
 


 
Dorothy Lee was like another Ruby Keeler. She was in many Wheeler and Woolsey movies.
 
 

 
Barbara Stanwyck in a story set in old China.
 
 
 
 
Lupe Velez and Leon Errol
 
 


Carole Landis and Pat O'Brien in an intrigueing story
 
 

 
Carole Landis, "The Ping Girl", as "The Cadet Girl"
 
 




The use of slides to advertise films went on longer than you might think. Here are a couple from the 1950's.



A

Thursday, February 23, 2012

Four Jills In a Jeep And Friends

Laurel and Hardy took part in the first big World War II-era tour by Hollywood personalities to entertain the troops,"The Hollywood Victory Caravan" in 1942.


Hollywood Victory Caravan

From Wikipedia, the free encyclopedia
    
The Hollywood Victory Caravan was a three-week railroad journey of 1942 that brought a number of famous performers across the United States to raise money for war bonds. Along the way there were numerous stops, which coincided with parades, performances, and other events. Some performers were present for the entire journey, others joined or left as their schedules permitted. Members of the Caravan were received by Eleanor Roosevelt at the White House.
A comedic 19-minutes short was made in 1945 to celebrate the event which starred many of the celebrities.

See also


The Hollywood Victory Caravan toured the Carribean on a converted Army bomber termed "The Flying Showboat."



Shown in this astounding photo is the full cast of entertainers deployed to
cheer up our boys overseas during WWII. The prominent group included Eddie
Dowling President of Camp Shows, Ray Bolger, Mitzi Mayfair, Louis Polanski, Stan
Laurel, Oliver Hardy, Jane Pickens, Benay Venuta, and Show M.C. John Garfield.
They are all shown just before taking off from Mitchel Field, NY, in a U.S. army
bomber, converted into a "flying showboat", for a two week tour of Caribbean
bases w they will present "Live Shows" for army and navy men. This would be the
first stop on the first USO Tour.



They traveled around the U.S. by train.


Hollywood Victory Caravan, 1942




Bert Lahr, the Cowardly Lion without the costume. He made some short subjects in the 1930's, as did Bing Crosby. Jimmy Cagney had a brother William, who was in the movie PALOOKA with Thelma Todd and Lupe Velez.



Mitzi Mayfair as she looked in the 1930's. In addition to dancing on Broadway, she made some short subjects in Hollywood at that time.


Allthough Mitzi Mayfair had been in "The Hollywood Victory Caravan" earlier in the war with Laurel and Hardy, she is remembered more today for her later tour with Kay Francis, Carole Landis, and Martha Raye, which was dramatized in the movie FOUR JILLS IN A JEEP. The film version was actually based on an account given by Mitzi Mayfair, rather than on the book by Carole Landis that had the same name and covered the same events.


Book cover


The "Four Jills": Carole Landis, Mitzi Mayfair, Kay Francis, and Martha Raye





Lobby card for the movie.


Four Jills in a Jeep.

The "Four Jills" wouldn't go on tour together to entertain the troops again, but Carole Landis and Martha Raye would go out again separately to entertain the troops overseas. Martha Raye continued to go on tours to entertain the troops as late as the Vietnam War.

Carole Landis and Jack Benny's USO Troupe. Top row - Jack Benny, Larry Adler. Bottom row - June Bruner, Martha Tilton, Carole Landis)



Martha Raye entertaining the troops during World War II.

Although Hollywood made a movie based on their exploits, the "Four Jills" were not really appreciated by Hollywood. They didn't seem to do well in the movies after the war, despite the sacrifices they had made and the hardships they had endured to help our fighting men. Carole Landis contacted Malaria and amoebic dysentery and was never really the same again.



The sad fate of Carole Landis has been covered in a number of books on "Hollywood's Unsolved Mysteries", including the ones by former Hollywood reporter John Austin. I was able to communicate with John Austin myself a few years ago. Here is an e mail message that he sent me on August 5, 2002 concerning Carole Landis:

"I knew Carole very well toward the end of WWII and her camp shows
and, in fact,as a Special Service Officer for the U.S, Army, travelled
with
her and her troupe through the North African Campaign and, later in
Great Britain.

I also saw a lot of her when we both returned to California following
WWII and the filming of Four Jills In A Jeep. Unfortunately, Carole had
"bad
press," aka word of mouth, from a coterie of gossiping Bel Air matrons
and was also
unfortunate in her choice of men such as the slimy, pompous Englishman
Rex
Harrison. He led her down the
garden path and. eventually, to her death even though she was pregnant
with his child.

It was too bad. She was a wonderful person, beautiful, and a good,
journeyman actress. I have thought about her a lot her since her
death because we had a good time together in London at the end of the
war.

Best regards,

John Austin"

The poorly explained death of Carole Landis continues to raise questions to this day. Rumor had it that she had killed herself because she'd gotten pregnant and didn't know what to do, which was the same story that was told about Lupe Velez. But according to the records, Carole Landis was not pregnant and suffered from a medical condition that prevented her from having children.

There was also some doubt as to if she had actually comitted suicide. Some members of her family thought that she was murdered.

Rex Harrison's own testimony made it sound as if she was still alive when he found her and then he did nothing to help her, although the usual version had it that she was already dead when he got there. No one seemed to worry at the time that he had at very least failed to report a death of someone he had professed to love.

She deserved better.



Special thanks to my brother Dale for digitally restoring the picture of Mitzi Mayfair in the 1930's. And special thanks to the many men and women who made many sacrifices during World War II in order that the country might be saved.


Carole Landis - Official Site




The fan club I have for Carole Landis






Eric Gans site for Carole Landis

http://www.anthropoetics.ucla.edu/cl/




"Hollywood Victory Caravan" at Laurel and Hardy Central

USO Shows in WW II

Tuesday, February 21, 2012

Vamping Venus And The American Venus



VAMPING VENUS was filmed on the same sets used by German actress Maria Cordia in THE PRIVATE LIFE OF HELEN OF TROY. The story has a fantasy sequence where Charles Murray is hit over the head in a night club and dreams of being in ancient Greece, where all the others in the Nightclub are with him as Venus ( Thelma Todd ), Hercules ( Joe Bonomo ), and other fabulous characters from mythology.

Vamping Venus (1928)









Directed by
Edward F. Cline(as Eddie Cline)
Writing credits
(in alphabetical order)
Howard J. Greenadaptation
Bernard McConvillestory
Ralph Spencetitles


Cast (in credits order)
Charles Murray... Michael Cassidy / King Cassidy of Ireland (as Charlie Murray)
Louise Fazenda... Maggie Cassidy / Circe
Thelma Todd... Madame Vanezlos the Dancer / Venus
Russ Powell... Pete Papaglos / Bacchus
Joe Bonomo... Simonides the Strongman / Hercules
Guinn 'Big Boy' Williams... Mars (as Big Boy Williams)
Spec O'Donnell... Western Union Boy / Mercury
Fred O'Beck... Vulcan
Gusztáv Pártos... Shopkeeper (as Gus Partos)
Gustav von Seyffertitz... Jupiter
Janet MacLeod... Juno
Yola d'Avril... Stenographer
rest of cast listed alphabetically:
Robert Livingston... Soldier (unconfirmed)
Cammilla Johnson... Little Girl (uncredited)
Create a character page for: ?

Cinematography by
Devereaux Jennings(as Dev Jennings)
Film Editing by
Paul Weatherwax
Other crew
Richard A. Rowland.... presenter
 
 

 
 
 
 
 
 
 
 
 
 
 
 

He had an eye for blondes, but he couldn't make up his mind as to which one it was.




But the gods had greater wisdom than men, and so Venus knew.
 
 
 




The Ideal Screen Figure

Studio publicity compared Thelma Todd to the famous statue of Venus De Milo.



Thelma Todd                            Venus De Milo ( reduced )

Height       5' 4"                                                  5' 4"

Hips           36"                                             38"          

Thigh       21"                                                 23"       

Ankle               8"                                       8.5"              

Calf                13.5"                                       14.5"    

Waist        27"                                               28.5"  

Neck           18"                                         14"     

Bust            33"                                         37"    

Weight         122 lbs.                          137 lbs.         

 
 
 
 
Thelma Todd indicates that her ankles have classical measurements.
 
 
 Or at least that the measuring tape indicates that she has perfect porportions.
 
 
 
              

Get The Point?


Louise Fazenda also worked with Thelma Todd in 1929 in THE HOUSE OF HORROR. Guin "Big Boy" Williams would work with Thelma Todd again in 1931 in CATCH AS CATCH CAN and WAR MAMMAS, and in PALOOKA in 1934. Like Thelma Todd, he had only a small part in that one, which was based on the comic strip "Joe Palooka"..

VAMPING VENUS is considered to be a lost film, along with much of the other output of that era. The film stock they used at that time was unstable nitrocellulose plastic, which tended to deteriorate with time and was also inflammable. Guncotten, an early replacement for black powder in firearms, is actually another form of nitrocellulose.


VAMPING VENUS had some similarities to the earlier movie THE AMERICAN VENUS, which featured Miss America Fay Lanphier and had a story involving a beauty contest. Some of the publicity in particular is similar, with similar "measurements" given out for another "Venus".

The American Venus ( 1926 )



Wikipedia entry:


The American Venus (1926) is an American feature film directed by Frank Tuttle, and starring Esther Ralston, Ford Sterling, Edna May Oliver, Lawrence Gray, Fay Lanphier, Louise Brooks, Kenneth MacKenna, and Douglas Fairbanks Jr., and released by Paramount Pictures. Brooks appears, in her first credited role as 'Miss Bayport'. Lanphier was crowned Miss America in 1925.[1]
This film is now considered a lost film, with two trailers and two short segments in Technicolor surviving in the Library of Congress collection. The film was made at Paramount's Astoria Studios in New York City, and the title cards were co-written by Robert Benchley.

 


Credits for THE AMERICAN VENUS

Directed by
Frank Tuttle
Writing credits
(in alphabetical order)
Robert Benchleytitles (uncredited)
Townsend Martinstory
Frederick Stowers


Cast (in credits order)

Esther Ralston... Mary Gray
Lawrence Gray... Chip Armstrong
Ford Sterling... Hugo Niles
Fay Lanphier... Miss Alabama
Louise Brooks... Miss Bayport
Edna May Oliver... Mrs. Niles
Kenneth MacKenna... Horace Niles
William B. Mack... John Gray
George De Carlton... Sam Lorber
W.T. Benda... Artist
Ernest Torrence... King Neptune
Douglas Fairbanks Jr.... Triton
Create a character page for: ?


Cinematography by
J. Roy Hunt
Production Design by
Lawrence Hitt(uncredited)
Jo Mielziner(uncredited)
Art Direction by
Frederick A. Foord
Costume Design by
Gilbert Clark
Other crew
Jesse L. Lasky.... presenter
Adolph Zukor.... presenter



The American Venus
Fay Lanphier


THE AMERICAN VENUS Poster


Another poster, featuring Fay Lanphier



Film frame from the movie. It is said that this is Fay Lanphier.



Louise Brooks in the judging sequence.



A pretty girl is like a melody, and not only that, you're a Lulu.

A comaparison of the two sets of measurements, Fay in first column, Thelma in second:

Height            5' 6                         5'4

Neck                  13.5"                 13"

Bust                  34                     33"

Waist                   26.5               27

Hips                 37.5                      36

Thigh                20                    21

Ankle                   8                   8  

I would consider the bust measurement given for Thelma Todd to be suspect, because she appears slightly plumper otherwise, but is given a smaller bust. It could be related to the fact that they were pretending that women were flat-chested at the time. During the "Jean Harlow" period, they tended to think of Thelma Todd as being like Jean Harlow, including emphasis on the bosom.


Very similar measurements can also be found in PHYSICAL CULTURE CLASSICS ( Volume I ) published in 1909, which listed Bernard McFadden amoung the contributors.

 * Supposed classical ideal as represented by the statue known as the Venus De Medici.



The table gives a different set of measurements for a different statue of Venus, which are still similar.
And the measurements given for Thelma Todd in VAMPING VENUS are again similar. She probably was in real life close to the classical ideal, as represented by Venus, but Hollywood tried to change her and only made references to that resemblance when it suited them.

Special Thanks to my brother Dale for his assistance, including the graph he made from the chart in
PHYSICAL CULTURE CLASSICS.



Watch the trailer for THE AMERICAN VENUS


 
   

Read about VAMPING VENUS at the Vitaphone project http://vitaphone.blogspot.com/2007_03_01_archive.html



 
And at the IMDB:
 
 
 


Read about THE AMERICAN VENUS at this site: