Showing posts with label Will Rogers. Show all posts
Showing posts with label Will Rogers. Show all posts

Friday, November 16, 2018

1923 Pathe Ad





Roach's films were distributed by Pathe in the 1920's.


Jorge Finkielman: This is from CINE MUNDIAL (taken from Lantern), from May 1923, published in New York but intended for Latin American exhibitors. The Hal Roach and Mack Sennett productions are featured and the players are pictured. Notice that the Spanish language title for SAFETY LAST! (EL HOMBRE MOSCA) was already chosen by Hal Roach Studios and was later used in Spain when Paramount released the film in 1927. However, the title for DR. JACK (EL DR. TRIPITAS) was changed by Max Glücksmann (the exhibitor, among other things) to EL DR. SALAMIN for Argentina, Uruguay, Paraguay and Chile; I think that in Spain, when Paramount released it in 1927, they simply used the same title as in English.





Thanks go to Jorge Finkielman for providing us with this picture.



A

Tuesday, March 13, 2018

Hal Roach 20th Anniversary Celebration



From the Hal Roach studio group on facebook:

March, 1934. Cine Mundial. Will Rogers, Theda Bara and Charley Chase help Hal Roach celebrate the 20th anniversary of the studio.






A

Wednesday, March 7, 2018

Hal Roach Studios 20th Anniversary Party





This is a Spanish language magazine article about Hal Roach studio's 20th anniversary party, which I found on the Hal Roach studio group on facebook when I went back to look at the translation for it, which I already had on the blog. I don't recall seeing the article before, just the translation.

Posted by Jorge Finkielman in Hal Roach Studios on Dec. 18, 2014


This is more of a chronology of the studios than a review of the 20th anniversary party
Hal Roach Studios' 20th anniversary by Gilberto Souto - (page 1) - CINEARTE, March 15, 1934. Rio de Janeiro, Brazil










The translation that Jorge Finkielman posted on facebook: 


Hal Roach Studios' 20th anniversary party by Gilberto Souto - CINEARTE, March 15, 1934. Rio de Janeiro, Brazil

This is a partial translation of the article dealing with the party, omitting the opening dealing with the history of the studio. The grammatical structure of the original text was not really good but I tried to keep it anyway. Apologies for mistakes and necessary changes to make this as comprehensible as possible in English


In the meantime all of you, my dear readers, do you want to know a bit about the party isn't that true? I will drop here a few of my own impressions.

The first to come to talk with me, giving me a cordial and kind salute, was the delightful Florine McKinney. She, in person, is more beautiful and more interesting than in her Metro-Goldwyn-Mayer films. She danced all night with W.S. Van Dyke, the Metro director. And he was very apprehensive, looking at us laughing and lively talking, so she herself took me to him and officially introduced us... Now, Mr. Van Dyke!

Jean Harlow was brilliant. What a difference with the Jean that had spoken with me one year ago. She wasn't that mischievous child in pajamas... She had a very elegant outfit and was the attention of all eyes. She was the most fascinating, until Thelma Todd appeared with an even more elegant dress!

By the way of her hairstyle, everything in small pieces I think that she had to spent more than five hours to get ready for the big night!

And her dress, really, was giving the perfect impression of a fishing net... and how many people would not let caught... if it wasn't that there was also Pat de Cico, her husband, a taller guy than a goal-keeper and as strong as George O'Brien.

But, in truth he spent a long minutes in intimacy like Patsy Kelly, Thelma's new comedy partner and... in person the greatest person I met! You should see Patsy Kelly at a short distance. She is stupendous and really funny, specially, due to her way to say and describe misadventures.

Theda Bara and her husband, Charles Brabin, the famous director... Ruth Roland and Ben Bard, always kind and friendly to me. What a happy couple and since Ruth is still lovely despite the many years we saw her in serials. Harold Lloyd and Mildred Davies were seated in the same table with Ben Lyon and Bebe Daniels. It could be that Harold remembered his times when Bebe was his partner and both worked in that same studio?

Bebe changed a lot. She is still nice, a beauty -especially due to here very black and fascinating eyes... Ben Lyon looked like a college boy. He was always laughing and seemed to have a nice disposition. Bebe and Mildred, for a while, talked a lot -like any mother of this world- about their own kids and their things!

But - the highlight of the party arrived when Will Rogers and Groucho Marx decided to join a Hawaiian trio and perform old songs. A circle was formed around them!

Will is the most natural creature and without Hollywood stereotypes. Everybody was wearing a tuxedo - Will appeared with his blue coat and a black tie! It seems that he never combs his hair - just like Stan Laurel in his comedies; although off screen he spends a lot of grease to comb himself!

Kent Taylor, whom you'll see soon in Paramount's CRADLE SONG, is in person a nice and elegant guy, he was very happy. He partnered with a group and keep up with fashion. And today he is famous, nice and sentimental. The Last Round-Up, a typical western song, was performed by a trio to which everybody joined in the chorus. Laughter increased and the party turned more animated.

It wasn't a few more minutes when Stan Laurel joined a group headed by Will Rogers. He was enthusiastic and was asking to the circle what song did they wanted...

Stan Laurel was laughing hysterically. I have never such a happy comedian: he seemed to be dismissing the legend that said that comedians were serious gentlemen, devoted students of philosophy...

How many film celebrities... Raymond Griffith (remember him? what a great comedian?) danced several times with a wonderful blonde girl. I tried to figure out who was she. Finally, I found it - it was Sally Rand! That Sally was involved in several trials in Chicago due to her famous fan dance. Maybe you know about it... She danced but that meant nothing. The thing was that the puritan societies felt that the big feather fans that she used, hardly (ah!) as a dress, didn´t cover her enough!

But, looking at her so beautiful and elegant, who would not defend Sally Rand against any puritan society of this world?

Mother Harlow was as "platinum blond" as her daughter, that dangerous Jean, and - do you know how she treats to the beloved star? - Just by the name of Baby! O more than BABY! There were speeches! But, since Hollywood speeches are different - all with flair of jokes and good humor! Nobody attempted to say great sentences or to quote Latin or Greek writings! Will Rogers, who many people misunderstand the way he talks to the highest and more respected citizen, being sarcastic with Louis B. Mayer.

Louis B. Mayer is very tied with American politics. He was a friend and promoter of Hoover and his own friends are always politicians... Will talk, then, on the radio and said: "Oh, my dear listeners, what a great party we have here! Just movie people - the best simple people! Imagine that there is not among us a senator nor a representative. My friend, Louis B. Mayer, throws big parties. Just a few days ago, he made homage to Marie Dressler - but there were two senators, a governor... and another political figure... Here, no - just people and simple people like all of you! A splendid party! I came here to frankly talk many who are here, just to eat the desert of this feast... I may not have the guts to admit it! I came, also, because I was a Hal Roach employee... Yes, I made some films for him and I could still be here working if he would have not, one day, seen one of my films...

Polly Moran. Believe me, she never stopped for a second - and she was sad in the place when nobody talked to her. Polly was the first to push for conversation. She talked since she sat on the table. She laughed a lot and liked to tell her more or less peppered anecdotes! When they brought the big piece of the anniversary cake, she made a racket and screaming to the other side of the immense hall - she protested to Hal Roach because instead of cake they should have brought a "pie"!

Her husband does not laugh and talk much. Both were in front of my place. Among them, Ruth Roland, Ben Bard, Stan Laurel and other friends were seated. Mr. Malone is a nice guy. He possess as Polly's son, who should be by now forty and makes no secret of that. He seems to be the one who enjoys the most her jokes and feminine good humor. I was even thinking that he should have been a Polly Moran "fan" and in order to not spend money buying movie tickets to see her, he solved the issue in the best way - he married her!

Polly is one of the most popular figures among Hollywood professional photographers - since nobody else than her is in all of the nightly places of the movie city. Photographers, one by one, came to our table asking her to pose. Polly gets ready for the pose and - when one of them is about to shoot - she screams: "And be certain that my brilliants are appearing... I want my friends to see that I am making money now with my films...! And so, this is the way Polly Moran is, wild, talkative and inimitable in her pranks.

And the dances continued... with the sound of several orchestras that followed one to another, cocktails reached to the top of the heads... the laughter was prolonged... and the happiness reached its top... and the night was slowly ending... to give its place to a new day!

And the Hal Roach party left unforgettable memories, memories for all of those who were there...



A


A

Tuesday, March 6, 2018

Hal Roach Studios' 20th Anniversary Party


Jorge Finkielman posted this translation of a Spanish language article on facebook. It isn't too clear in places, and I had delayed publishing it because of that. But seeing that it is still here and I still hadn't done anything with it, I'll go ahead and put it through. Some more work might still be done on it at a later date.



Hal Roach Studios' 20th anniversary party by Gilberto Souto - CINEARTE, March 15, 1934. Rio de Janeiro, Brazil


This is a partial translation of the article dealing with the party, omitting the opening dealing with the history of the studio. The grammatical structure of the original text was not really good but I tried to keep it anyway. Apologies for mistakes and necessary changes to make this as comprehensible as possible in English


In the meantime all of you, my dear readers, do you want to know a bit about the party isn't that true? I will drop here a few of my own impressions.

The first to come to talk with me, giving me a cordial and kind salute, was the delightful Florine McKinney. She, in person, is more beautiful and more interesting than in her Metro-Goldwyn-Mayer films. She danced all night with W.S. Van Dyke, the Metro director. And he was very apprehensive, looking at us laughing and lively talking, so she herself took me to him and officially introduced us... Now, Mr. Van Dyke!

Jean Harlow was brilliant. What a difference with the Jean that had spoken with me one year ago. She wasn't that mischievous child in pajamas... She had a very elegant outfit and was the attention of all eyes. She was the most fascinating, until Thelma Todd appeared with an even more elegant dress!

By the way of her hairstyle, everything in small pieces I think that she had to spent more than five hours to get ready for the big night!

And her dress, really, was giving the perfect impression of a fishing net... and how many people would not let caught... if it wasn't that there was also Pat de Cico, her husband, a taller guy than a goal-keeper and as strong as George O'Brien.

But, in truth he spent a long minutes in intimacy like Patsy Kelly, Thelma's new comedy partner and... in person the greatest person I met! You should see Patsy Kelly at a short distance. She is stupendous and really funny, specially, due to her way to say and describe misadventures.

Theda Bara and her husband, Charles Brabin, the famous director... Ruth Roland and Ben Bard, always kind and friendly to me. What a happy couple and since Ruth is still lovely despite the many years we saw her in serials. Harold Lloyd and Mildred Davies were seated in the same table with Ben Lyon and Bebe Daniels. It could be that Harold remembered his times when Bebe was his partner and both worked in that same studio?

Bebe changed a lot. She is still nice, a beauty -especially due to here very black and fascinating eyes... Ben Lyon looked like a college boy. He was always laughing and seemed to have a nice disposition. Bebe and Mildred, for a while, talked a lot -like any mother of this world- about their own kids and their things!

But - the highlight of the party arrived when Will Rogers and Groucho Marx decided to join a Hawaiian trio and perform old songs. A circle was formed around them!

Will is the most natural creature and without Hollywood stereotypes. Everybody was wearing a tuxedo - Will appeared with his blue coat and a black tie! It seems that he never combs his hair - just like Stan Laurel in his comedies; although off screen he spends a lot of grease to comb himself!

Kent Taylor, whom you'll see soon in Paramount's CRADLE SONG, is in person a nice and elegant guy, he was very happy. He partnered with a group and keep up with fashion. And today he is famous, nice and sentimental. The Last Round-Up, a typical western song, was performed by a trio to which everybody joined in the chorus. Laughter increased and the party turned more animated.

It wasn't a few more minutes when Stan Laurel joined a group headed by Will Rogers. He was enthusiastic and was asking to the circle what song did they wanted...

Stan Laurel was laughing hysterically. I have never such a happy comedian: he seemed to be dismissing the legend that said that comedians were serious gentlemen, devoted students of philosophy...

How many film celebrities... Raymond Griffith (remember him? what a great comedian?) danced several times with a wonderful blonde girl. I tried to figure out who was she. Finally, I found it - it was Sally Rand! That Sally was involved in several trials in Chicago due to her famous fan dance. Maybe you know about it... She danced but that meant nothing. The thing was that the puritan societies felt that the big feather fans that she used, hardly (ah!) as a dress, didn´t cover her enough!

But, looking at her so beautiful and elegant, who would not defend Sally Rand against any puritan society of this world?

Mother Harlow was as "platinum blond" as her daughter, that dangerous Jean, and - do you know how she treats to the beloved star? - Just by the name of Baby! O more than BABY! There were speeches! But, since Hollywood speeches are different - all with flair of jokes and good humor! Nobody attempted to say great sentences or to quote Latin or Greek writings! Will Rogers, who many people misunderstand the way he talks to the highest and more respected citizen, being sarcastic with Louis B. Mayer.

Louis B. Mayer is very tied with American politics. He was a friend and promoter of Hoover and his own friends are always politicians... Will talk, then, on the radio and said: "Oh, my dear listeners, what a great party we have here! Just movie people - the best simple people! Imagine that there is not among us a senator nor a representative. My friend, Louis B. Mayer, throws big parties. Just a few days ago, he made homage to Marie Dressler - but there were two senators, a governor... and another political figure... Here, no - just people and simple people like all of you! A splendid party! I came here to frankly talk many who are here, just to eat the desert of this feast... I may not have the guts to admit it! I came, also, because I was a Hal Roach employee... Yes, I made some films for him and I could still be here working if he would have not, one day, seen one of my films...

Polly Moran. Believe me, she never stopped for a second - and she was sad in the place when nobody talked to her. Polly was the first to push for conversation. She talked since she sat on the table. She laughed a lot and liked to tell her more or less peppered anecdotes! When they brought the big piece of the anniversary cake, she made a racket and screaming to the other side of the immense hall - she protested to Hal Roach because instead of cake they should have brought a "pie"!

Her husband does not laugh and talk much. Both were in front of my place. Among them, Ruth Roland, Ben Bard, Stan Laurel and other friends were seated. Mr. Malone is a nice guy. He possess as Polly's son, who should be by now forty and makes no secret of that. He seems to be the one who enjoys the most her jokes and feminine good humor. I was even thinking that he should have been a Polly Moran "fan" and in order to not spend money buying movie tickets to see her, he solved the issue in the best way - he married her!

Polly is one of the most popular figures among Hollywood professional photographers - since nobody else than her is in all of the nightly places of the movie city. Photographers, one by one, came to our table asking her to pose. Polly gets ready for the pose and - when one of them is about to shoot - she screams: "And be certain that my brilliants are appearing... I want my friends to see that I am making money now with my films...! And so, this is the way Polly Moran is, wild, talkative and inimitable in her pranks.

And the dances continued... with the sound of several orchestras that followed one to another, cocktails reached to the top of the heads... the laughter was prolonged... and the happiness reached its top... and the night was slowly ending... to give its place to a new day!

And the Hal Roach party left unforgettable memories, memories for all of those who were there...




A

Wednesday, September 9, 2015

Jean Darling And Baby Peggy




Reblogged from http://www.younghollywoodhof.com/babypeggy.htm


(L-R) Jean Darling, Victor Potel, Peggy Montgomery, & Jackie Condon (5/27/1936) Will Rogers Tribute



 
 
 
 
A

Thursday, December 18, 2014

20th Anniversary Hal Roach Studio Celebration




The Hal Roach studio had a 20th anniversary celebration. Here is an article about the party and a translation by Jorge Finkielman from the original Portuguese.

Hal Roach Studios' 20th anniversary party by Gilberto Souto - CINEARTE, March 15, 1934. Rio de Janeiro, Brazil


This is a partial translation of the article dealing with the party, omitting the opening dealing with the history of the studio. The grammatical structure of the original text was not really good but I tried to keep it anyway. Apologies for mistakes and necessary changes to make this as comprehensible as possible in English


In the meantime all of you, my dear readers, do you want to know a bit about the party isn't that true? I will drop here a few of my own impressions.

The first to come to talk with me, giving me a cordial and kind salute, was the delightful Florine McKinney. She, in person, is more beautiful and more interesting than in her Metro-Goldwyn-Mayer films. She danced all night with W.S. Van Dyke, the Metro director. And he was very apprehensive, looking at us laughing and lively talking, so she herself took me to him and officially introduced us... Now, Mr. Van Dyke!

Jean Harlow was brilliant. What a difference with the Jean that had spoken with me one year ago. She wasn't that mischievous child in pajamas... She had a very elegant outfit and was the attention of all eyes. She was the most fascinating, until Thelma Todd appeared with an even more elegant dress!

By the way of her hairstyle, everything in small pieces I think that she had to spent more than five hours to get ready for the big night!

And her dress, really, was giving the perfect impression of a fishing net... and how many people would not let caught... if it wasn't that there was also Pat de Cico, her husband, a taller guy than a goal-keeper and as strong as George O'Brien.

But, in truth he spent a long minutes in intimacy like Patsy Kelly, Thelma's new comedy partner and... in person the greatest person I met! You should see Patsy Kelly at a short distance. She is stupendous and really funny, specially, due to her way to say and describe misadventures.

Theda Bara and her husband, Charles Brabin, the famous director... Ruth Roland and Ben Bard, always kind and friendly to me. What a happy couple and since Ruth is still lovely despite the many years we saw her in serials. Harold Lloyd and Mildred Davies were seated in the same table with Ben Lyon and Bebe Daniels. It could be that Harold remembered his times when Bebe was his partner and both worked in that same studio?

Bebe changed a lot. She is still nice, a beauty -especially due to here very black and fascinating eyes... Ben Lyon looked like a college boy. He was always laughing and seemed to have a nice disposition. Bebe and Mildred, for a while, talked a lot -like any mother of this world- about their own kids and their things!

But - the highlight of the party arrived when Will Rogers and Groucho Marx decided to join a Hawaiian trio and perform old songs. A circle was formed around them!

Will is the most natural creature and without Hollywood stereotypes. Everybody was wearing a tuxedo - Will appeared with his blue coat and a black tie! It seems that he never combs his hair - just like Stan Laurel in his comedies; although off screen he spends a lot of grease to comb himself!

Kent Taylor, whom you'll see soon in Paramount's CRADLE SONG, is in person a nice and elegant guy, he was very happy. He partnered with a group and keep up with fashion. And today he is famous, nice and sentimental. The Last Round-Up, a typical western song, was performed by a trio to which everybody joined in the chorus. Laughter increased and the party turned more animated.

It wasn't a few more minutes when Stan Laurel joined a group headed by Will Rogers. He was enthusiastic and was asking to the circle what song did they wanted...

Stan Laurel was laughing hysterically. I have never such a happy comedian: he seemed to be dismissing the legend that said that comedians were serious gentlemen, devoted students of philosophy...

How many film celebrities... Raymond Griffith (remember him? what a great comedian?) danced several times with a wonderful blonde girl. I tried to figure out who was she. Finally, I found it - it was Sally Rand! That Sally was involved in several trials in Chicago due to her famous fan dance. Maybe you know about it... She danced but that meant nothing. The thing was that the puritan societies felt that the big feather fans that she used, hardly (ah!) as a dress, didn´t cover her enough!

But, looking at her so beautiful and elegant, who would not defend Sally Rand against any puritan society of this world?

Mother Harlow was as "platinum blond" as her daughter, that dangerous Jean, and - do you know how she treats to the beloved star? - Just by the name of Baby! O more than BABY! There were speeches! But, since Hollywood speeches are different - all with flair of jokes and good humor! Nobody attempted to say great sentences or to quote Latin or Greek writings! Will Rogers, who many people misunderstand the way he talks to the highest and more respected citizen, being sarcastic with Louis B. Mayer.

Louis B. Mayer is very tied with American politics. He was a friend and promoter of Hoover and his own friends are always politicians... Will talk, then, on the radio and said: "Oh, my dear listeners, what a great party we have here! Just movie people - the best simple people! Imagine that there is not among us a senator nor a representative. My friend, Louis B. Mayer, throws big parties. Just a few days ago, he made homage to Marie Dressler - but there were two senators, a governor... and another political figure... Here, no - just people and simple people like all of you! A splendid party! I came here to frankly talk many who are here, just to eat the desert of this feast... I may not have the guts to admit it! I came, also, because I was a Hal Roach employee... Yes, I made some films for him and I could still be here working if he would have not, one day, seen one of my films...

Polly Moran. Believe me, she never stopped for a second - and she was sad in the place when nobody talked to her. Polly was the first to push for conversation. She talked since she sat on the table. She laughed a lot and liked to tell her more or less peppered anecdotes! When they brought the big piece of the anniversary cake, she made a racket and screaming to the other side of the immense hall - she protested to Hal Roach because instead of cake they should have brought a "pie"!

Her husband does not laugh and talk much. Both were in front of my place. Among them, Ruth Roland, Ben Bard, Stan Laurel and other friends were seated. Mr. Malone is a nice guy. He possess as Polly's son, who should be by now forty and makes no secret of that. He seems to be the one who enjoys the most her jokes and feminine good humor. I was even thinking that he should have been a Polly Moran "fan" and in order to not spend money buying movie tickets to see her, he solved the issue in the best way - he married her!

Polly is one of the most popular figures among Hollywood professional photographers - since nobody else than her is in all of the nightly places of the movie city. Photographers, one by one, came to our table asking her to pose. Polly gets ready for the pose and - when one of them is about to shoot - she screams: "And be certain that my brilliants are appearing... I want my friends to see that I am making money now with my films...! And so, this is the way Polly Moran is, wild, talkative and inimitable in her pranks.

And the dances continued... with the sound of several orchestras that followed one to another, cocktails reached to the top of the heads... the laughter was prolonged... and the happiness reached its top... and the night was slowly ending... to give its place to a new day!

And the Hal Roach party left unforgettable memories, memories for all of those who were there...

 
 
The article as it originally appeared.
 

 
 
 
 
 
 











A

Thursday, August 7, 2014

Guinn "Big Boy" Williams






Guinn Williams was one of Thelma Todd's costars at the Roach studio.

Guinn "Big Boy" Williams

From Wikipedia, the free encyclopedia
   
Guinn Williams
BornGuinn Terrell Williams Jr.
(1899-04-26)April 26, 1899
Decatur, Texas, U.S.
DiedJune 6, 1962(1962-06-06) (aged 63)
Hollywood, California, U.S.
OccupationActor
Years active1919–1961
Spouse(s)Barbara Weeks
Kathleen Collins
Dorothy Peterson (1943-1962) (his death)
Guinn "Big Boy" Williams (April 26, 1899 – June 6, 1962) was an American actor who appeared in memorable westerns such as Dodge City (1939), Santa Fe Trail (1940), and The Comancheros (1961). He was nicknamed "Big Boy" as he was 6' 2" and muscular from years of working on ranches and playing semi-pro and pro baseball.
Williams made his screen debut in the 1919 comedy, Almost A Husband, with Will Rogers and Cullen Landis, and was featured in a large supporting role ten years later in Frank Borzage's Lucky Star with Janet Gaynor and Charles Farrell. Throughout the 1920s Williams would have a string of successful films, mostly westerns.
He then appeared in The Great Meadow alongside Johnny Mack Brown, which was Brown's breakout film. Throughout the 1930s, Williams acted in supporting roles, mostly in westerns, sports, or outdoor dramas. Although not the lead actor in any of them, he was always employed, and was successful as a supporting actor. He often played alongside Hoot Gibson and Harry Carey during that period. In 1941, he became one of many actors cast by Universal Pictures in their large film series, Riders of Death Valley. From the late 1930s to the mid-1940s, Williams appeared in supporting roles in a number of A-pictures, sometimes with high billing, such as in Columbia's first Technicolour film The Desperadoes (1943).
His father, Guinn Williams Sr, represented the 13th Texas Congressional District in the United States House of Representatives from 1922 to 1932. Williams was frequently teamed with Alan Hale, Sr. as sidekicks to Errol Flynn in several of his pictures. In 1960, he was cast in the epic film The Alamo and in Home from the Hill with Robert Mitchum. His last role was opposite his close friend John Wayne and Stuart Whitman in The Comancheros.

Guinn Williams (left) with Alan Hale, Sr., Ronald Reagan and Errol Flynn in Santa Fe Trail' (1940)
He was married to three actresses, the first being silent film actress Kathleen Collins. For a time, he was married to B-movie actress Barbara Weeks. His last wife was Dorothy Peterson, whom he first met in the 1940s.
Williams died unexpectedly of uremic poisoning[1] on June 6, 1962, aged 63.

Partial filmography[edit]



References[edit]

External links[edit]




                                                  *                             *                               *



Guinn "Big Boy" Williams appeared in two films with Zasu Pitts and Thelma Todd, CATCH AS CATCH CAN and WAR MAMMAS. He later appeared with Patsy Kelly in her feature film debut at the Roach studio, KELLY THE SECOND. He made all kinds of movies, but is best known today for working in westerns, frequently with Errol Flynn. Williams eventually died of the same condition as Jean Harlow, uremic poisoning.


 
Here we see Janet Gaynor lifted off the floor by Guinn as they dance in LUCKY STAR ( 1929 ).
 
 




CATCH AS CATCH CAN - Marshall Neilan,  Thelma Todd, Guinn "Big Boy" Williams, Zasu Pitts
 
 
 
 
With Zasu Pitts in another publicity picture for CATCH AS CATCH CAN.
 
 
 
 

                                                A photo from a polo game in 1934,

 
 
 with a caption which mentions Hal Roach.
 





With Patsy Kelly in her KELLY THE SECOND ( 1936 ), which also featured Pert Kelton.





As a boxer again in PARDON OUR NERVE, 1939, with June Gale and Lyn Bari.





Guinn Williams with Ann Sheridan and Victor Jory in DODGE CITY, 1939.






With Lupe Velez in SIX LESSONS FROM MADAME LA ZONGA ( 1941 )

 
 
 

 
 
 
 
 
 

 
 
 

 
 
 
With Judy Canova in SINGING IN THE CORN ( 1946 ).
 
 



Guinn is perhaps best known for the many westerns he appeared in. Here is a picture from 1933

 
 
 
and another from the forties.




Lobby card for THE EAGLE'S CLAW ( 1924 ) a silent movie in which Guinn starred.





Poster for KELLY THE SECOND.

 
 
 




KELLY THE SECOND lobby cards.






Guinn "Big Boy" Williams:
http://www.b-westerns.com/bigboy.htm

http://smmercury.com/2012/08/23/bartee-haile-big-boy-williams-has-eerie-premonition-of-his-death/




A

Friday, April 25, 2014

HELL'S ANGELS Official Program









The program for HELL'S ANGELS they gave out at the premiere at Grauman's Chinese Theater in 1930.

 
 
 

 
 
Buster Keaton was still a star in early talkies. His later decline came as a surprise to all his fans. 

 
 
 
Will Rogers was a top star in the thirties. His career was cut short by a plane crash that also took the life of famous pilot Wiley Post.

 
 
 
Clara Bow was a big star in the silent era. She made a few talkies, but it just wasn't the same. 

 
 
 
The Floradora girls were the product of an earlier era. Like the Keystone Kops, they made an occasional comeback. The Marion Davies version came out in 1930.

 
 
 

 
 
 
 
 
 
 

Ben Lyon and Bebe Daniels may be seen in this film of the premiere, as well as Buster Keaton, Wheeler and Woolsey, Joe E. Brown, Sally Eilers, and Hoot Gibson.










A

Friday, December 27, 2013

POPEYE'S HOW TO DRAW CARTOONS By Joe Musial





POPEYE'S HOW TO DRAW CARTOONS is a little book that shows you how to do just that. The author was one of the artists who worked on the Popeye comic strip, which had been originated by E.C. Segar.



Reblogged from http://cartoonsnap.blogspot.com/

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 






 
 
 
 

 
 
 
 

 
 
 
 






 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
These caricatures were familiar faces to people of that day. From the left, top: Charlie Chaplin, Will Rogers, Franklin Delano Roosevelt. From the left, bottom: George Arliss, W. C. Fields, Irvin S. Cobb, and Babe Ruth.
 
 
 
 






 
 
 
 






 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 

 
 
 
 






 
 
 
 

 
 
 
 

 
 
 
 



The creator of Popeye had at one time been a movie projectionist and his work was influenced to some extent by the movies. Segar at one time drew Charlie Chaplin comics. His most popular comic strip ( which introduced Popeye ) "Thimble Theater" had a name reminiscent of Ed Wheelan's "Minute Movies". The version of Olive Oyl seen in animated cartoons was clearly influenced by Zasu Pitts. Bluto was more or less a stock heavy such as Eric Campbell had played in silent movies. Oliver Hardy had also played the same type before being teamed with Stan Laurel at the Hal Roach studio.


Joe Musial:
http://www.lambiek.net/artists/m/musial_joseph.htm


E. C. Segar:
http://home.earthlink.net/~thimbletheatre/ecsegar.html





A