That's not the way a woman's supposed to look, but that was what we were told.
From edrefarral.com ( see link at bottom of page ) :
Actress Audrey Hepburn struggled with anorexia and depression - which was unknown to the public during her career. She was known to lose weight under pressure and to be "strange" about food. Rumor has it that current actresses are being "harassed" by the media who points to Audrey as an example of a thin woman without an eating disorder, but that was NOT the case!
A little on Anorexia from Wikkipedia:
|Classification and external resources
"Miss A—” pictured in 1866 and in 1870 after treatment. She was one of the earliest Anorexia nervosa case studies. From the published medical papers of Sir William Gull.
Anorexia nervosa is often coupled with a distorted self image which may be maintained by various cognitive biases that alter how the affected individual evaluates and thinks about her or his body, food and eating. Persons with anorexia nervosa continue to feel hunger, but deny themselves all but very small quantities of food. The average caloric intake of a person with anorexia nervosa is 600–800 calories per day, but extreme cases of complete self-starvation are known. It is a serious mental illness with a high incidence of comorbidity and the highest mortality rate of any psychiatric disorder.
Anorexia most often has its onset in adolescence and is most prevalent among adolescent girls.  However, more recent studies show that the onset age of anorexia decreased from an average of 13 to 17 years of age to 9 to 12.  While it can affect men and women of any age, race, and socioeconomic and cultural background, Anorexia nervosa occurs in females 10 times more than in males. While anorexia nervosa is quite commonly (in lay circles) believed to be a woman 's illness, it should not be forgotten than ten per cent of people with anorexia nervosa are male.
The term anorexia nervosa was established in 1873 by Sir William Gull, one of Queen Victoria's personal physicians. The term is of Greek origin: an- (ἀν-, prefix denoting negation) and orexis (ὄρεξις, "appetite"), thus meaning a lack of desire to eat. However, while the term "anorexia nervosa" literally means "neurotic loss of appetite" the literal meaning of the term is somewhat misleading. Many anorexics do enjoy eating and have certainly not lost their appetite as the term "loss of appetite" is normally understood; it is better to regard anorexia nervosa as a self-punitive addiction to fasting, rather than a literal loss of appetite.
Early lifeBorn Mary Bickford Dunn in Sarnia, Ontario, she was still a child when her family moved first to Denver, Colorado and then later to Los Angeles. While working as a secretary, she applied for and obtained an acting job at the Hollywood studio owned by Mack Sennett. Sennett, who was from a small town outside of Montreal, dubbed her as the exotic "French girl", adding Dunn to his collection of bathing beauties under the stage name of Marie Prevost.
In 1919, Prevost secretly married socialite Sonny Gerke who left her after six months of marriage. Gerke's mother had forbidden him to associate with Prevost because she was an actress, so he was scared to tell his mother of the marriage—and he couldn't get a divorce without revealing that he was married. Prevost, fearful of the bad publicity a divorce would cause, would stay secretly married to Gerke until 1923.
Career riseOne of her first publicly successful film roles came in the 1920 romantic film Love, Honor, and Behave, opposite another newcomer and Sennett protégé, George O'Hara. Initially cast in numerous minor comedic roles as the sexy, innocent young girl, she worked in several films for Sennett's studio until 1921 when she signed with Universal. At Universal, Irving Thalberg took an interest in Prevost and decided to make her a star. Thalberg ensured that she received a great deal of publicity and staged numerous publicity events. After announcing that he had selected two films for Prevost to star in, The Moonlight Follies (1921) and Kissed (1922), Thalberg sent Prevost to Coney Island where she publicly burned her bathing suit to symbolize the end of her bathing beauty days.
While at Universal, Prevost was still relegated to light comedies. After her contract expired, Jack Warner signed her to a two year contract at $1500 a week at Warner Bros. in 1922. During this time, Prevost was dating actor Kenneth Harlan. Jack Warner had also signed Harlan to a contract and cast the couple in the lead roles in F. Scott Fitzgerald's The Beautiful and Damned. To publicize the film, Warner announced that the couple would marry on the film's set. The publicity stunt worked and thousands of fans sent gifts and letters to the couple. The Los Angeles Mirror got wind that Prevost was still married to Sonny Gerke and ran a story with the headline "Marie Prevost Will be a Bigamist if She Marries Kenneth Harlan". Warner was livid over the negative publicity and Prevost's failure to disclose her first marriage despite the fact that the publicity stunt was his idea. Warner quickly arranged an annullment and, when the publicity surrounding the scandal died down, Prevost and Harlan were quietly married.
In spite of the bad publicity, Prevost's performance in The Beautiful and Damned brought good reviews. Director Ernst Lubitsch chose her for a major role opposite Adolphe Menjou in 1924's The Marriage Circle. Of her performance as the beautiful seductress, Ernst Lubitsch said that she was one of the few actresses in Hollywood who knew how to underplay comedy to achieve the maximum effect. This performance, praised by The New York Times, resulted in Lubitsch casting her in Three Women in 1924 and in Kiss Me Again the following year.
Vera Steadman, another Canadian friend, and Hollywood studio owner, Al Christie in 1926.
DeclineDevastated by the loss of her only remaining parent, Prevost began drinking heavily and developed an addiction to alcohol. Her marriage to Harlan ended in a 1927 divorce. Prevost tried to get past her personal torment by burying herself in her work, starring in numerous roles as the temptingly beautiful seductress who in the end was always the honorable heroine. After seeing Prevost in The Beautiful and Damned, Howard Hughes cast her as the lead in The Racket (1928). During filming, Hughes and Prevost had a brief affair. Hughes quickly broke off the affair leaving Prevost heartbroken and furthering her depression. After playing the lead in The Racket, Prevost's days as a leading lady were over.
Prevost's depression caused her to binge on food resulting in significant weight gain. By the 1930s, she was working less and being offered only secondary parts. A notable exception was Paid (1930), a role which, while secondary to star Joan Crawford, still garnered her good reviews. As a result of all this, her financial income declined and her growing dependency on alcohol added to her weight problems. By 1934, she had no work at all and her financial situation deteriorated dramatically. The downward spiral became greatly aggravated when her weight problems forced her into repeated crash dieting in order to keep whatever bit part a movie studio offered.
DeathOn January 21, 1937, at the age of 38, Prevost died from heart failure brought on by acute alcoholism and malnutrition. Her body was not discovered until January 23, after neighbors complained about her dog's incessant barking. A bellboy, who ignored the note Prevost posted on the door asking that no one knock on the door more than once, finally forced the door open. Prevost was found lying face down on her bed, her legs marked with tiny bites. Prevost's pet dachshund, Maxie, had nipped at her legs in an attempt to wake her up.
Her funeral (which was paid for by Joan Crawford) at the Hollywood Memorial Cemetery was attended by Crawford, Clark Gable, Wallace Beery, and Barbara Stanwyck among others.
In February 1937, it was discovered that Prevost's estate was valued at only $300 prompting the Hollywood community to create the Motion Picture & Television Country House and Hospital to provide medical care for employees of the television and motion picture industry.
For her contribution to the motion picture industry, Marie Prevost has a star on the Hollywood Walk of Fame at 6201 Hollywood Boulevard