Thursday, September 19, 2013

Charley Chase

Charley Chase's popularity has faded somewhat since his heyday in the good old days of yesteryear. But he still has a following even today.

Charley Chase

From Wikipedia, the free encyclopedia
Charley Chase
Stooge020 charle.jpg
BornCharles Joseph Parrott
(1893-10-20)October 20, 1893
Baltimore, Maryland
DiedJune 20, 1940(1940-06-20) (aged 46)
Hollywood, Los Angeles, California
Cause of deathHeart attack
Resting placeForest Lawn Memorial Park
Other namesCharlie Chase, Charles Chase, Charles Parrott, Jimmy Jump
OccupationComedian, director, screenwriter, songwriter
Years active1912-1940
Spouse(s)Bebe Eltinge
(m.1914-1940; his death)
RelativesJames Parrott (brother)
The World of Charley Chase
Charley Chase (October 20, 1893 – June 20, 1940) was an American comedian, actor, screenwriter and film director, best known for his work in Hal Roach short film comedies. He was the older brother of comedian/director James Parrott.

Life and career

Born Charles Joseph Parrott in Baltimore, Maryland, Chase began performing in vaudeville as a teenager and started his career in films by working at the Christie Film Company in 1912.[1] He then moved to Keystone Studios, where he began appearing in bit parts in the Mack Sennett films, including those of Charlie Chaplin. By 1915 he was playing juvenile leads in the Keystones, and directing some of the films as Charles Parrott. His Keystone credentials were good enough to get him steady work as a comedy director with other companies; he directed many of Chaplin imitator Billy West's comedies, which featured a young Oliver Hardy as villain.
He worked at L-KO Kompany during its final months of existence. Then in 1920, Chase began working as a film director for Hal Roach Studios. Among his notable early works for Roach was supervising the first entries in the Our Gang series, as well as directing several films starring Lloyd Hamilton; like many other silent comedians, Chase is reported to have regarded Hamilton's work as a major influence on that of his own. Chase became director-general of the Hal Roach studio in late 1921, supervising the production of all the Roach series except the Harold Lloyd comedies. Following Lloyd's departure from the studio in 1923, Chase moved back in front of the camera with his own series of shorts, adopting the screen name Charley Chase.
Chase was a master of the comedy of embarrassment, and he played either hapless young businessmen or befuddled husbands in dozens of situation comedies. His screen persona was that of a pleasant young man with a dapper mustache and ordinary street clothes; this set him apart from the clownish makeups and crazy costumes used by his contemporaries. His earliest Roach shorts cast him as a hard-luck fellow named "Jimmie Jump" in one-reel (10-minute) comedies.
The first Chase series was successful and expanded to two reels (20 minutes); this would become the standard length for Chase comedies, apart from a few three-reel featurettes later. Direction of the Chase series was taken over by Leo McCarey, who in collaboration with Chase formed the comic style of the series—an emphasis on characterization and farce instead of knockabout slapstick. Some of Chase's starring shorts of the 1920s, particularly Mighty Like a Moose, Crazy Like a Fox, Fluttering Hearts, and Limousine Love, are among the finest in silent comedy. Chase remained the guiding hand behind the films, assisting anonymously with the directing, writing, and editing.
Chase moved with ease into sound films in 1929, and became one of the most popular film comedians of the period.[2] He continued to be very prolific in the talkie era, often putting his fine singing voice on display and including his humorous, self-penned songs in his comedy shorts. The two-reeler The Pip from Pittsburgh, released in 1931 and co-starring Thelma Todd, is one of the most celebrated Charley Chase comedies of the sound era.[3] Throughout the decade, the Charley Chase shorts continued to stand alongside Laurel and Hardy and Our Gang as the core output of the Roach studio. Chase was featured in the Laurel and Hardy feature Sons of the Desert; Laurel and Hardy made cameo appearances as hitchhikers in Chase's On the Wrong Trek.
On the Wrong Trek was supposed to be the final Charley Chase short subject; by 1936 producer Hal Roach was now concentrating on making ambitious feature films. Chase played a character role in the Patsy Kelly feature Kelly the Second, and starred in a feature-length comedy called Bank Night, lampooning the popular Bank Night phenomenon of the 1930s. Chase's feature was plagued with a host of production problems and legalities, and the film was drastically edited down to two reels and finally released as one last Charley Chase short, Neighborhood House. Chase was then dismissed from the Roach studio.

Later years

In 1937, Chase began working at Columbia Pictures, where he spent the rest of his career starring in his own series of two-reel comedies, as well as producing and directing other Columbia comedies, including those of The Three Stooges and Andy Clyde. He directed the Stooges' classic Violent Is the Word for Curly; although he is often credited with writing the film's song "Swinging the Alphabet",[4] the tune actually originates with 19th-century songwriter Septimus Winner. Recent research asserts that the Chase family's maid introduced the song to Charley and taught it to his daughters.[5] Chase's own shorts at Columbia favored broader sight gags and more slapstick than his earlier, subtler work, although he does sing in two of the Columbias, The Grand Hooter and The Big Squirt (both 1937). Many of Chase's Columbia short subjects were strong enough to be remade in the 1940s with other comedians; Chase's The Heckler (1940) was remade with Shemp Howard as Mr. Noisy (1946).
Chase suffered from depression and alcoholism for most of his professional career, and his tumultuous lifestyle began to take a serious toll on his health. His hair had turned prematurely gray, and he dyed it jet-black for his Columbia comedies.
His younger brother, comedy writer-director James Parrott, had personal problems resulting from a drug treatment, and died in 1939. Chase was devastated. He had refused to give his brother money to support his drug habit, and friends knew he felt responsible for Parrott's death. He coped with the loss by throwing himself into his work and by drinking more heavily than ever, despite doctors' warnings. The stress ultimately caught up with him; just over a year after his brother's death, Charley Chase died of a heart attack in Hollywood, California in 1940 and was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California. Chase was 46.
For his contribution to the motion picture industry, Charley Chase has a star on the Hollywood Walk of Fame at 6630 Hollywood Boulevard.

Renewed interest

Since the 1990s, there has been a revival of interest in the films of Charley Chase, due in large part to the increased availability of his comedies. An extensive website researching his life and work, The World of Charley Chase, was created in 1996, and a biography, Smile When the Raindrops Fall, was published in 1998.
Chase's sound comedies for Hal Roach were briefly televised in the late 1990s on the short-lived American cable network the Odyssey Channel. Retrospectives of Chase's work organized by The Silent Clowns Film Series were held in 1999, 2001, 2006, and 2008 in New York City.
A marathon of selected Charley Chase shorts from the silent era was broadcast in 2005 on the American cable television network Turner Classic Movies. In late 2006, Turner Classic Movies began to air Charley Chase's sound-era comedies. In January 2011, several of his sound shorts were featured during Turner Classic Movies' tribute to Hal Roach Studios.
In 2007, Mighty Like a Moose (1926) was selected for inclusion in the Library of Congress's National Film Registry, solidifying its reputation as one of the most celebrated comedies of the silent era and cementing Chase's status as a pioneer of early film comedy.[6]
Kino International released two Charley Chase DVD volumes in 2004 and 2005 for their Slapstick Symposium series. The films came from archives and collectors around the world. In July 2009, VCI Entertainment released Becoming Charley Chase, a DVD boxed set of Charley Chase's early silent films.
Columbia Pictures has prepared digital restorations of its twenty Charley Chase shorts, in the same manner as its Buster Keaton DVD restorations. On January 1, 2013 Sony Home Entertainment released Charley Chase Shorts Volume 1, part of its "Columbia Choice Collection" MOD DVD-r library. The 1-disc release contains eight of Chase's starring shorts, and one Smith & Dale short which he directed.

Selected filmography

See also


  1. ^ Anthony, Brian and Edmonds, Andy (1998). Smile When the Raindrops Fall: The Story of Charley Chase. The Scarecrow Press, Inc., 23. ISBN 0-8108-3377-8
  2. ^ Lahue, Kalton C. and Gill, Samuel (1970). Clown Princes and Court Jesters. A.S. Barnes and Company, 94.
  3. ^ Solan, Yair. "Many Big Squawks." The World of Charley Chase.
  4. ^ Okuda, Ted and Watz, Edward (1986). The Columbia Comedy Shorts: Two-Reel Hollywood Film Comedies, 1933-1958. McFarland & Company, Inc., 27. ISBN 0-7864-0577-5.
  5. ^ Finegan, Richard. "Swingin' the Alphabet Composer Finally Identified." The Three Stooges Journal (Winter 2005): 4.
  6. ^ "National Film Registry 2007."

External links

                                                        *                     *                     *

Much of the credit for the current revival on interest in the films of Charley Chase is due to the emphasis put on him in Robert Youngson's compilation features, notably FOUR CLOWNS, which puts him on more or less equal footing with Laurel and Hardy and Buster Keaton as one of the greatest comedians of the silent screen.

Thelma Todd was one of Charley Chase's most important leading ladies in the early sound era. He would have liked to have kept working with Thelma Todd, but she became too important to continue in his series once she got her own. Even after that she appeared in THE NICKEL NURSER, which was the last short she appeared in for Roach outside of her own series.

Among Chase's other leading ladies, you see many other familiar faces, including Anita Garvin, June Marlowe, Joyce Compton, Dorothy Appleby, and Rosina Lawrence. Rosina Lawrence was in the Charley Chase tryout feature, NEIGHBORHOOD HOUSE, which ultimately was released as a two-reeler.

It was said at the time that Charley Chase was unable to carry a feature. That may well be true, but his short subjects were popular and following the end of his series at Roach he was able to make a successful transition to the Columbia short subjects department, where he would work again with Dorothy Appleby and would also work with the Three Stooges.

                                                      CALL OF THE CUCKOOS ( 1927 )

                 Charley Chase, center, with Laurel and Hardy at left and Jimmy Finlayson at right.

                                                         Charley Chase on radio

The GRAPHIC was a newspaper that was owned by Bernarr MacFadden. Bernarr MacFadden was someone Ruth Burch had worked for before she became Hal Roach's casting director.
 Charley Chase in 1932

 With Thelma Todd
With Thelma Todd 

With Thelma Todd

ON THE WRONG TREK with Rosina Lawrence

 Laurel and Hardy had a cameo appearance as hitchikers in ON THE WRONG TREK.


                                             Charley Chase swipes one of Stan's gags.

Charley Chase had a Cameo appearance in SONS OF THE DESERT.
Charley at the bat
With frequent costar Ann Doran at Columbia.

                                           With Ann Doran in MANY SAPPY RETURNS

                  With Vernon Dent and Louise Stanley in TIME OUT FOR TROUBLE

                                                    With Bess Flowers in TIME OUT FOR TROUBLE


Charley Chase:

The World Of Charley Chase:

Silent Gents:

Ann Doran:


No comments:

Post a Comment